User Comments:
Too much varnish, 'Tarnish' lacks garnish, 9 August 2003
Author:
F Gwynplaine MacIntyre (Borroloola@aol.com) from Minffordd, North Wales
*** This comment may contain spoilers ***
**SPOILERS**'Tarnish' is a surprisingly racy story for 1921, although by
modern
standards it will seem very tame indeed. The film features an impressive
cast, and a fine script by the prolific Frances Marion. The direction by
George Fitzmaurice is proficient without being especially
distinctive.
May McAvoy plays a young woman named Letitia (oo-er!) who can't get ahead
because her wastrel father spends all available funds on Prohibition hooch
and fast living. She is engaged to Emmet Carr (Ronald Colman, dashing and
handsome as ever), and the two of them have a chance of happiness
together.
But Emmet has a bit on the side: a manicurist named Nettie Dark(!), played
by the vivacious Marie Prevost. The dialogue titles are circumspect about
the precise nature of their relationship, but the eye contact and body
language between Colman and Prevost make it clear that their characters
are
having a sexual relationship.
SPOILERS COMING. Nettie threatens to ruin Emmet's chance for happiness
with
Letitia by revealing her own relationship with Emmet. But then it turns
out
that Letitia's father has also been having it on with Nettie. (Busy girl!)
Emmet and Letty end up in each other's arms; Nettie is humiliated, and
there
is some unconvincing assertion that Letty's father will
reform.
'Tarnish' is a very dated film, largely due to the character that Marie
Prevost plays: that's a reflection on the role as it's scripted, not her
performance. Nettie Dark is that misogynist stereotype: a 'bad girl' who
makes trouble for men, merely because she CAN. Neither Emmet Carr nor
Adolph
Tevis (Letty's father) is especially wealthy, so it's clear that Nettie's
pursuit of them isn't gold-digging: she just seems to enjoy tempting men
into destructive relationships, and then ruining them.
Matters are not helped in this movie by the bad make-up job on actor
Albert
Gran, who plays Letty's father Adolph. He looks like Santa's evil twin.
Gran
is equipped with a blatantly phony mane of snowy white hair, with bushy
white eyebrows and moustache to match ... all of them equally
unconvincing.
He doesn't have a beard, but if he had one that matched the rest of this
bad
make-up job he'd be the Doppelganger of Father Christmas.
There's an amusing scene early in the film, when Nettie vamps Emmet in the
hairdresser's shop where she works. Seated in the barber's chair, Colman
gets a haircut and a manicure at the same time. He and Marie Prevost flirt
outrageously. The humour in this scene is supplied by Harry Myers as the
barber, who rolls his eyes and tries to suppress his laughter in reaction
to
the rather purple dialogue emerging from Colman and Prevost (courtesy of
the
intertitles). 'Something for the weekend, sir?'
Kay Deslys is good in a small role as a neighbour; whilst Snitz Edwards,
as
her husband, is his usual annoying self. I'll rate 'Tarnish' 4 out of
10.
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