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The Late George Apley (1947)

Poster Not Submitted Directed by
Joseph L. Mankiewicz

Writing credits
Philip Dunne
George S. Kaufman (play)
 (more)

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Genre: Comedy (more)

Tagline: He's the immovable object! She's the irresistible force! It's the incomparably entertaining movie! (more)

Plot Summary: George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them... (more)

User Comments: The sort of gentle satire no longer in vogue... (more)

User Rating: *******___ 7.2/10 (100 votes) Vote Here

Complete credited cast:
Ronald Colman .... George Apley
Peggy Cummins .... Eleanor Apley
Vanessa Brown .... Agnes Willing
Richard Haydn .... Horatio Willing
Charles Russell .... Howard Boulder
Richard Ney .... John Apley
Edna Best .... Catherine Apley
Mildred Natwick .... Amelia Newcombe
Percy Waram .... Roger Newcombe
Nydia Westman .... Jane Willing
Francis Pierlot .... Wilson, the Butler
  (more)

Runtime: 93 min / 97 min (FMC Library Print)
Country: USA
Language: English
Color: Black and White
Sound Mix: Mono
Certification: Finland:K-16 / USA:Approved (PCA #11862, General Audience)

Trivia: Percy Waram was the only member of the original Broadway cast of "The Late George Apley" to repeat his role onscreen. (more)

Quotes:
Catherine Apley: She's from Worcester.
George Apley: [who is from Boston] From Worcester? A foreigner!
(more)
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User Comments:

The sort of gentle satire no longer in vogue..., 8 October 2004
Author: Neil Doyle from U.S.A.

THE LATE GEORGE APLEY is the sort of comedy of manners that audiences could appreciate in the '40s and '50s before more explosive entertainment took center stage. It's performed with great charm and skill by a talented cast--and especially by Ronald Colman (in the sort of stuffy role he was born to play) and by the charming British actress Peggy Cummins. Viewing her here, one can understand why Zanuck found her unsuitable to play Amber St. Claire in FOREVER AMBER--charming but immature in stature and looks.

The cast seems to be relishing their roles in this tale of Boston bluebloods striving to uphold the family's social status. Vanessa Brown and Richard Ney, unfortunately, are the least appealing aspects of the supporting cast in rather colorless roles. Richard Haydn shines, as he always does in these sort of things.

Only fans of Ronald Colman can truly appreciate this sort of period piece. It flows smoothly but with little ventilation seeping into the musty households and other interiors and seems more like a stage play soon to be seen on Masterpiece Theatre.

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