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BCM Chess Book Reviews : April 2001Return to the BCM Review Index
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The Modern Benoni, although a sharp and fighting defence, has long been out of fashion, but never sufficiently so as to be ignored. A large part of the problem is that the Taimanov variation (1 d4 Nf6 2 c4 c5 3 d5 e6 4 Nc3 exd5 5 cxd5 d6 6 e4 g6 7 f4 Bg7 8 Bb5+!) is far more than the caveman-like hack that it first appears, and that after 8...Nfd7, Black will have some difficulty disentangling his queenside pieces, while at the same time keeping the e5 thrust under restraint. To avoid this line, Black has usually delayed ...c5 until White has played Nf3 or g3 (for example 1 d4 Nf6 2 c4 e6 3 Nf3 c5), but this of course means that the Benoni would no longer be a complete defence to 1 d4; Black would have to book up on the Nimzo as well. In the early 1990s, attention for White swung towards lines (after Nf3) with e4, Bd3, h3, etc., a formation designed to restrain Blacks counterplay against the e4 pawn, and to prevent the pin along the h5-d1 diagonal.
Both these lines present problems for Black, as John Watson candidly admits. It is difficult, he suggests, for Black to gain full and automatic equality in the Modern Main Line with Bd3, but the good news for Black is that the line is no longer terrifying, and that Whites advantage is no more than in most other main line openings, with Black having ample chances to create mischief.
If I were to be tempted into playing the Benoni, what I would want most of all is a good system to combat the Taimanov. Watson recommends systems with ...Qh4+, but as with any openings book worth having, much of the work is original and exploratory, leaving space for the reader to disagree with his conclusions. After for example 8...Nfd7 9 a4 Qh4+ 10 g3 Qd8 11 Nf3 0-0 12 0-0 a6 13 Bd3 Nf6 14 Qb3 Bh3 15 Re1 Ng4 (p.101), Watson dissents from Pigusovs conclusion that White is much better after 16 Bf1!. He gives 16...Bxf1 17 Rxf1 Qc8 18 h3 Nf6 19 e5 Ne8 as equal, e.g. 20 g4 Nd7 21 e6 c4 22 Qc2 fxe6 ... with slight edge for Black, but 20 Kg2!, protecting the h3 pawn and side-stepping ...Qc5+ looks good to me. 20...Nd7 21 e6 c4?? 22 exd7 would now be unplayable for Black. It should be added that Watson gives other tries for Black, including the radical 7...Qe7!?; the viability of the Modern Benoni depends in large part on the validity of these alternatives.
The book is unashamedly written from Blacks point of view, and
the author concedes (p.6) that as time goes on, readers and theoreticians
will doubtless find that some of my assessments are too optimistic for
Black. Some of the assessments indeed seem to be dangerously over-favourable
to Black. I was for example surprised that the Crouch-Emms game from last
years British (p.170) was assessed as slight edge to Black
after 20 moves, even though I was clearly winning well before the time
control (and indeed won the game); Watson does not attempt to show how
my opponent could have improved. This is maybe not theoretically critical,
as Watson recommends that Black varies earlier (after 1 d4 Nf6 2 c4 c5
3 d5 e6 4 Nc3 exd5 5 cxd5 d6 6 Nf3 g6 7 e4 a6 8 a4 Bg4!? 9 Qb3 Bxf3 10
Qxb7) with 10...Nbd7 (instead of 10...Bxg2). I would probably agree, having
had a painful experience against Matthew Anderton in this, but I cannot
resist pointing out the bizarre possibility of 11 gxf3 Bg7 12 Bf4 Rb8
13 Qxa6 Rxb2 (13...Nh5!?) 14 0-0-0!?, which seems to improve on both 14
Bb5 and 14 Nb5. All in all, a book the reader will enjoy and find interesting.
Review by Colin Crouch.
Firstly, a warning: this book contains next to nothing about the playing of chess itself. There are no game scores, analysis or anything of that ilk. The sub-title is a journey into the heart of chess, but the main title encapsulates it perfectly. First and last, the book tells the story of the Spanish town whose name has become synonymous with big-time tournament chess, and paints a vivid picture of all the people not just players and organisers, but also spectators, journalists, seconds and even hotel staff who collectively give the event its unique identity.
The author, who is the editor of New in Chess, makes the pilgrimage to Linares every year, and is clearly in love with the place and the event. He does not allow this to blunt the sharpness of his observation and objectivity, and the outlines of the people he writes about reveal more than would a long string of biographical data. He adopts an even-handed approach, and is as interested in the bit-part players as in the leading characters in the unfolding drama. It is effectively a series of deftly-written anecdotes drawn from a dozen or so different years, in no particular chronological order; taken together, they go a long way to illustrate the tournament as it has grown in stature.
Much of its tradition is attributable to the colourful personality of
its founder and patron, Luis Rentero, but other important factors have
been Linares perennial star player, Garry Kasparov (who else?),
and the town itself which, though architecturally unprepossessing, has
a charm all its own, more typical of the real Spain that the holidaymakers
never see. Of the author, one can say that, if chess were to be abolished
tomorrow, he is one of the games few professional writers who would
not starve to death: it is so rare for true journalistic skills and instincts,
and a knowledge of chess, to come together in the same person. This is
a superb evocation of a chess phenomenon, and the people who make it special.
The scope of this book is the lines of the Caro Kann following the moves
1 e4 c6 2 d4 d5 3 Nc3/d2 dxe4 4 Nxe4. Three moves are considered in this
position: 4...Nd7 (the Smyslov variation), 4...Bf5 (Classical) and 4...Nf6
(Larsen-Bronstein). There has not been too much literature on the Caro
Kann, considering its popularity at all levels of chess. To some extent
the opening has become rather less popular since Karpovs influence
has started to decline, but all the lines covered here have seen significant
developments in the 1990s, to the extent that the defence has grown away
from its former reputation as relatively non-theoretical.
It is certainly no easy ride for Black these days. The Smyslov variation
has seen a swing from 5 Bc4 to 5 Ng5, after which there is a welter of
modern theory. Similarly the Classical Caro has seen a shift from 7...Nd7
to 7...Nf6, though the older move is still eminently playable, and perhaps
safer. 4...Nf6 is a line that aggressive Caro Kann players sometimes go
in for, as it carries the fight to the enemy, opting for open files and
optimum piece placement in return for a non-ideal pawn structure. Author
McDonald is not a Caro Kann player himself, but is even-handed in his
assessments and clearly at home in explanations of the more tactical and
theoretical lines that the Caro Kann has to offer.
Offbeat seems rather an impertinent adjective to describe
lines of the Ruy Lopez without 3...a6, especially when one such variation
(the Berlin Defence, 3...Nf6) played a big part recently in loosening
Kasparovs grip on his world championship title. But that is what
the book is about. It is sufficiently up-to-date to include a consideration
of the games from the 2000 Brain Games match between Kasparov and Kramnik,
but Grandmaster Flear has resisted the temptation to allow the Berlin
Defence to displace commensurate consideration of all the moves that Black
has at his disposal. These include the Schliemann (3...f5), the Classical
(3...Bc5), the Steinitz (3...d6), Birds (3...Nd4), the Cozio (3...Nge7)
and the Smyslov (3...g6), as well as a number of odds and ends moves.
Each of these systems can claim modern-day adherents at grandmaster level,
and the material is fresh and illuminating, well up to the authors
accustomed high standards.
This is another welcome offering from Everyman, plugging another surprising gap in the recent publication of specialised books on the opening. There has been little or nothing on the Dutch Stonewall for many a year, despite its reputation as a solid system for Black, and generous praise for its virtues by occasional practitioner Kramnik in the 1996 book Positional Play by Dvoretsky and Yusupov. Danish IM Jacob Aagaard is a down-to-earth and candid writer on the subject, openly admitting his lack of knowledge in the introduction, but then setting to work with a will.
The book starts with an unusually lengthy introduction (50 pages) which
goes into the history of the Dutch Stonewall and outlines the general
plans for White and Black. The main body of the book then concentrates
on main lines after 1 d4 f5 2 g3 Nf6 3 Bg2 e6 4 c4 c6, with the sixth
and final chapter examining lines where White plays his light-squared
bishop to d3 or e2. Aagaards book is bang up-to-date with references
to games from 2000; look out in particular for Anand-P.Nikolic, Wijk aan
Zee 2000, which casts a shadow over the Bd7-e8 plan after 5 Nh3 c6 6 0-0
Bd6 7 Qc2 0-0 8 Nd2.
In this two-volume set, the authors present a complete coverage of the Dragon Sicilian. Volume One concentrates exclusively on the Rauzer Attack, with all other white options dealt with in Volume Two. The books undoubtedly contain a good deal of material, with little wasted space and few, if any, lengthy prose explanations. In addition, the English is considerably better than in many recent publications by foreign (especially Russian) authors, despite the fact that I could find no reference to a translator.
My initial
impression was that there were not too many post-1998 references, but
when I checked for specific recent games which I knew were of theoretical
importance (namely, Fedorovs defeats against Ivanchuk and Movsesian
at Polanica Zdroj 2000) I duly found them both, together with suggested
improvements. Experienced Dragon players are likely to find little of
interest here, but these two volumes appear to be a reasonably good reference
source for somebody who is looking to take up the Dragon, and wants a
fairly comprehensive summary of the current state of theory. Where the
book is perhaps weakest is in its lack of explanation of positional and
structural themes behind the opening, and in that respect newcomers to
the opening would probably do well to add Chris Wards outstanding
(if somewhat outdated) book to their shopping list: Winning with the
Dragon, 1994. Nevertheless, without by any means being a classic,
this is a production which goes some way towards repairing the damage
done to the authors reputation by some of their previous opening
books. Review by Steve Giddins.
A hardcover reprint of Howard Stauntons famous chess periodical,
which went through a rebirth in 1853, the volume numbering
starting again from one despite a periodical of the same name
and editorship having existed for more than ten years. This is a particularly
excellent volume, starting with a very detailed annotation of a recent
game: no less than the Evergreen Anderssen versus Dufresne
game from 1852. There is much else to enjoy in rest of the book, including
an informative article on chess outside the metropolis of London, in the
course of which Staunton puts forward the idea of an annual match between
Oxford and Cambridge Universities.
Another fascinating reprint from Moravian: after a short preamble on
the activities and membership of the British Chess Association, the bulk
of the book is given over to the extant game scores, with notes, of two
significant congresses that the BCA patronised: London 1866 and Dundee
1867. Among the participants in these events were Steinitz, Blackburne,
Neumann, de Vere and MacDonnell. There are also game scores from various
handicap tournaments in which Steinitz and others took part, plus the
July 1867 match between Steinitz and Anderssen.
Another superb record of the year in chess for your library. The year
started with a string of Kasparov successes in Wijk, Linares and Sarajevo,
and ended in sensation as he lost his version of the world title to Kramnik
in London. There is in-depth coverage of all these events, particularly
the world championship match, with annotations by a team of grandmasters
headed by Peter Svidler. There is much else besides, including an article
by world number four Michael Adams on his match against Seirawan in Bermuda,
plus more than 60 pages of full colour photography from the worlds
top chess events. The magazine celebrated its own longevity with a series
of articles entitled 120 Years of BCM, charting its history decade by
decade, with contributions from twelve distinguished chess authors. It
may seem a little immodest, but we really have no rival as a fully-indexed
annual reference work for what is happening in chess. Check
out offers on other bound volumes.
JUST IN: 4...Qh4 In The Scotch Game by Lev Gutman, Batsford,
272 pages, £17.99, up-to-date to October 2000.