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BCM Reviews : June 1999Return to the BCM Review Index
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Very few chess magazines can boast a Shakespearean scholar as editor but Howard Staunton's impressive, pioneering journal was originally titled The British Miscellany, and Chess Player's Chronicle. As its name would suggest, The British Miscellany was a previous periodical which contained a smattering of chess amongst matters of high-brow interest. Staunton's new magazine was devoted virtually entirely to chess (with the exception of a few worthy articles on Galileo, the philosophy of education and the like), incredibly coming out on a weekly basis for the first volume.
The notation is naturally of the arcane descriptive variety, such as this comment by Staunton to his game with Popert (London, 1840): "[white, Popert] K.P. two, [black] Q.B.P. two, [w] K.B.P. two [1 e4 c5 2 f4]". "Decidely better than 'Kt. to K.B. third'[2 Nf3]" says Staunton, pre-dating Bent Larsen's joke that 2 Nf3 and 3 d4 was a 'cheap trick' by over a century. Many of the games given coyly abbreviate players' names, simply referring to 'Mr. P-t' versus 'Mr. S-n', or "M. P- and M. J-h, the two strongest players in Russia"; to modern eyes the effect is quite charming, almost suggesting that there was something ungentlemanly about the brazen publishing of one's own games.
There are richly-textured prose articles on chess culture and history,
such as Sir Frederick Madden's serialised treatise on the origins of European
chess (the Lewis chessmen had been discovered only 10 years previously,
in 1831) and the supposed workings of the automaton chess player (the
first great cabinet illusion was in reality human-operated). Elsewhere,
there are light-hearted snippets to curl the moustaches of even the most
fastidious of Victorian readers, such as the Icelandic account of cheating
King Canute's touch move dispute with his thane, Earl Ulf. One overturned
chessboard later and the unlucky Ulf was, shall we say, history.
No, this magazine was not the forerunner of our contemporary, but an
American magazine launched in the same year as the First American Congress
in New York, where Paul Morphy triumphed over Louis Paulsen. It ran as
far as the fifth month of the fifth year (like the Chronicle, also
in the old-style descriptive notation), and the first volume proudly bears
the names of Morphy and Daniel Fiske, the secretary of the Congress. The
respective input of the joint editors has since been the subject of some
academic debate, but in 1857 more pressing matters were being discussed,
such as the 'Lives of Great Chess Men' Ponziani and Philidor (not to mention
the not-so-famous Augustus, Duke of Brunswick-Lüneberg - who went
under the chess pseudonym of Gustavus Selenus and was an ancestor of Morphy's
famous opera-victim), the soundness of the en passant rule, and
whether any New York player had the bottle to take on Morphy with only
a pawn and move odds.
English GM Tony Kosten, now resident in France and recently appointed trainer to their national team, again adopts an avowedly populist slant for his latest work, an aggressive repertoire for White in the traditionally refined English opening. After 1 c4, play can either develop into an early central clash (with, for example: 1...e5 2 g3 Nf6 3 Bg2 c6 4 d4 - Keres-Parma System - or 1...Nf6 2 g3 d5 - Pseudo-Grünfeld), or quite commonly as a 'non-contact sport' for the first few moves (e.g. 1...e5 2 g3 Nc6 3 Bg2 g6 4 Nc3 Bg7 5 e4 d6 6 Nge2 - Botvinnik system - or 1...c5 2 g3 g6 3 Bg2 Bg7 4 Nc3 Nc6 5 a3 - Symmetrical variation). Paradoxically, it's often in the slower-burning lines where things really liven up, and Kosten gives a good summary of the attacking options - such as f4 and a big kingside push in the Botvinnik, or a b4 thrust to sharpen the queenside play in the Symmetrical.
However, if you're looking for encyclopaedic coverage, you may have to
look elsewhere, as Kosten freely admits in his introduction that his repertoire
is quite an 'untheoretical' approach. Then again, if like the author (and
the vast majority of non-professional players), you can confess to being
'a very lazy chess-player', you won't have to keep up with the very latest
developments in theory either. All-in-all, Kosten has written a sensible
guide which will educate (and enthuse) new recruits to the English cause.
Safely shipped out of war-torn Yugoslavia, we now have the latest chess-manna
from the indefatigable Informator team, containing 620 games and
part-games from the top of world chess. The best game prize for the previous
issue was deservedly won by Boris Gelfand, for his powerful demolition
of Shirov's Grünfeld defence at Polanica Zdroj, 1998, featuring the
spectacular rook drop 23 Rd7!! (see BCM, October 1998, p.541).
However, despite seven out of the nine GM-jurors awarding Gelfand a maximum
10 points, and Mikhail Gurevich lagging slightly with 9, one person failed
to put Gelfand-Shirov even in their top 10. The identity of the mean East
German figure-skating judge from hell? Holy conflict of interest, why,
it's none other than Mr. S-v himself. Whatever next? By this logic, a
world champion will soon be able to choose his potential challengers.
For his second world title defence Steinitz beats Mikhail Chigorin 10½-6½
in Havana and afterwards cracks self-deprecatingly, "The young master
of the old school sacrificed pawns and pieces, the old master of the young
school did more, for he sacrificed a whole number of games for what he
considers to be a sound principle." Amazingly, editorial work goes on
for Steinitz throughout the match and his Personal and General editorials
are masterclasses in the art of the intelligent insult, replete with wacky
nicknames for his enemies such as 'Dreckseele' and 'Gumpelino'. Along
with annotations to this match are many from the Sixth American Congress
in New York (a typical marathon of the day), won jointly by Chigorin and
Max Weiss on 29/38 (they also drew four games of a play-off match). As
with previous years, the Bohemian Caesar's splendid, erudite journal is
a real treat, and chronicles the rise of British resident Isidor Gunsberg
(soon to play matches with Chigorin and Steinitz himself), as well as
the emergence of a certain new star, Emanuel Lasker, and his flashy double
bishop sacrifice (v. Bauer at Amsterdam).
The Pongo 'twins' are an attractively produced pair of puzzle compilation
books (published previously in Hungarian and German), collated by theme
and with explanatory examples to ease the student into the tests. In Act
1, the final 150 of the 978 positions are a no-clues exam, so there's
plenty to do here, even if experienced solvers may have seen some examples
before. Interesting chapter headings include 'Battery Building' and 'Ending
the Harmony of Defensive Pieces'. A word of warning, however: for the
extra monster-size diagrams dubbed 'Chess Gems' you'll look in vain for
any answers here. That's because they're tucked away in the back of Volume
2, with the numbers from Volume 1 cunningly corresponding at random to
letters in the answer section.
Act 2 sees another 867 well-chosen combinations classified by checkmate theme with esoteric titles like 'King Got Stuck in the Middle' and 'Interference Between the Defensive Pieces of the King Position'.