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2.5-6
A Day To Remember,
For Those Who Have Heart (Victory Records)
Clutch, "Electric Worry" Single (DRT Entertainment)
Fat Sam, "Queen Bee Bitch" (Pro Music)
Handshake Murders, Usurper (Goodfellow Records)
Harry Perry Band, Video Commander (Kama Cosmic
Krusader)
Impious, Holy Murder Masquerade (Metal Blade)
Isis, In The Absence Of Truth (Ipecac)
My Bitter End, The Renovation (Uprising Records)
Pain Of Salvation, Scarsick (Inside Out Music)
Rwake, Voices of Omens (Relapse Records)
Static-X, Cannibal EP (Reprise Records)
Therion, Gothic Kabbalah (Nuclear Blast)
Trail of Tears, Existentia (Napalm Records)
Verismo, City Of Kings (Verismetal Music)
Vixen, Live & Learn (Demolition Records)
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The End Makes Stunning
Transformation With Elementary
The End |
When Canadian quintet The End released the album
Within Dividia on Relapse Records in 2003,
it put the band alongside abstract Metal contemporaries
like Dillinger Escape Plan and The Locust
with its off-kilter rhythms, complex time changes and
abrasive vocals. But as The End reemerges in 2007 with
Elementary, it is clear that the band has
undergone a huge transformation. This time, the group
took a more refined approach and incorporated melody and
more traditional song structures into its music. The CD
still boasts some extreme tracks, such as the album
opener, “Dangerous,” but The End takes the listener into
more accessible, melodic territory with tracks like
“Throwing Stones” and “My Abyss,” which are highlighted
by the emotional vocals and lyrics of Aaron Wolff.
The band members have truly outdone themselves with this
stunning new effort, so we spoke to guitarist Andrew
Hercules to find out what inspired The End’s musical
transformation.
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