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Rashômon (1950)
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Rashômon (1950)
Release Date:
26 December 1951 (USA) moreTagline:
The husband, the wife...or the bandit?Plot Outline:
A heinous crime and its aftermath are recalled from differing points of view. morePlot Synopsis:
This plot synopsis is empty. Add a synopsisAwards:
Nominated for Oscar. Another 7 wins & 2 nominations moreUser Comments:
Kurosawa is just so damn good moreUS TV Schedule:
Mon. July 16 | 4:30 AM | TCM |
(Complete credited cast)
Toshirô Mifune | ... | Tajômaru | |
Machiko Kyô | ... | Masako Kanazawa | |
Masayuki Mori | ... | Takehiro Kanazawa | |
Takashi Shimura | ... | Woodcutter | |
Minoru Chiaki | ... | Priest | |
Kichijiro Ueda | ... | Commoner | |
Fumiko Honma | ... | Medium | |
Daisuke Katô | ... | Policeman |
Also Known As:
In the WoodsRasho-Mon (USA) (alternative spelling)
Rashomon (Japan) (alternative transliteration)
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Parents Guide:
Add content advisory for parentsRuntime:
88 minCountry:
JapanLanguage:
JapaneseColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Recording)Certification:
Australia:M / Argentina:16 / Canada:G (Quebec) / Chile:18 / Finland:K-16 / Spain:13 / Sweden:15 / Switzerland:14 / UK:12 / UK:X (original rating) / USA:Unrated / West Germany:16 / USA:PG-13 / Singapore:PGFilming Locations:
Kyoto, JapanMOVIEmeter:
1% since last week why?Trivia:
Often credited as the reason the Academy created the "Best Foreign Film" category. moreQuotes:
Priest: If men don't trust each other, this earth might as well be hell.Commoner: Right. The world's a kind of hell.
Priest: No! I don't want to believe that!
Commoner: No one will hear you, no matter how loud you shout. Just think. Which one of these stories do you believe?
Woodcutter: None makes any sense.
Commoner: Don't worry about it. It isn't as if men were reasonable.
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What is a "Rashômon"?
Is Rashomon based on two stories?
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"Rashomon", Akira Kurosawa's 1950 film about a horrible crime and the various versions of the "truth" that come to fruition during the investigation is absolutely amazing, pure and simple. The story is told four different times, each time from the point of view of one of the participants. The basic story of the crime is that a bandit (Mifune) comes across a husband and wife traveling through the forest. The bandit, Tajomaru, seduces/assaults the Masako (Kyo) after tying up her husband Takehiro (Mori), and soon after, Takehiro is dead. What happens between the times Tajomaru encounters the couple and the discovery of Takehiro's body is what is left to be discovered. Masako, Tajomaru and even Takehiro (with the assistance of a medium) each tell their account of the story, each taking blame for Takehiro's death. The fourth telling is from a passer-by, and the audience is left to decide which is the true account.
I absolutely loved this film. I had heard that Yimou Zhang's "Hero" had, if not as an homage, employed the same technique of storytelling and perspective, but seeing this great film was a real treat. The story is original and rich, and Kurosawa always is able to pull great performances from his actors. I found "Rashomon" to be extremely compelling from start to finish, and even managed to be really creeped out at one point. (The psychic medium is pure, unadulterated nightmare fuel) From the very little that I know of Japanese cinema of the 1950's & 1960's, I realize that Kurosawa was not the only director, but he certainly was the trailblazer and set the bar for the genre for decades to come. His peers were putting out material, it was just fairly primitive. (It is easy to forget that not every country's film industry was as opulent as America's) To see this kind of film, a film that is actually incredibly simple, but so ingeniously conceived of and executed makes me remember why I have been and always will be both a student of and lover of film. 8/10 --Shelly