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BCM Chess Book Reviews : May 2001Return to the BCM Review Index
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OUT OF PRINT |
This new book from Batsford covers the standard Colle (starting 1 d4
d5 2 Nf3 Nf6 3 e3 e6 4 Bd3, followed up by either 5 c3 or 5 b3), plus
lines where White faces a Queens Indian, Benoni or Kings Indian
type set-up. The Colle has a reputation for being sound but rather dull,
but there is merit in its relative simplicity for the player who is too
busy (or lazy) to expend time on opening study. The author quotes Cecil
Purdy in the introduction: a player who specialises in the Colle
System needs to spend only about a tenth of the time studying the openings
that he would otherwise have to. This makes it a good club players
opening, and author Gary Lane has pitched the work at this level. Game
references are up to 2000. Not much has been written on the Colle in recent
years and this is a welcome addition to Batfords opening library.
The author has been meticulous in cataloguing the development of this esoteric sideline (1 e4 e5 2 Nf3 Nc6 3 d4 cxd4 4 Nxd4 Qh4), with analysis by famous names going back nearly 150 years. In fact, a remarkably large proportion of the text of the book is a pastiche of quotes about the variation, the people who have played or advocated it, and chess history in general; the author has thereby avoided writing much at all himself. There are liberal chunks lifted from such diverse sources as Hooper and Whylds Oxford Companion to Chess, the BCM and Botterill and Hardings 1977 book on the Scotch. You will even find a potted version of how our venerable magazine came into being herein. The cut and paste approach goes completely off the rails when at least three times the author manages to annotate a position using direct quotations allegedly taken from Daniel Kings book The English Defence. Just think about it how on earth do you transpose from the English Defence to ...Qh4 against the Scotch? A large gremlin in the works here, it would seem.
Gutman has added a very large proportion of the recent games available on the databases (the numbers are small, despite the alleged popularity of the line). He has also included a substantial amount of his own analysis, in the hope of persuading the reader that Peter Wells (The Scotch Game, Batsford) was wrong to describe 4...Qh4 as rushing full steam ahead towards the status of unplayable. Personally, I would choose to believe Wells, despite the fact that he has played the line on occasion, but if you are interested in the historical aspects of opening theory, then this is a fascinating compilation.
Gutman wrote an excellent book on (all of) the Scotch (Gewinnen mit
Schottisch, Kassel, 1992), which was praised highly by many people,
including Garry Kasparov. In the promotional material on the back cover,
Batsford appear to be claiming that this new book is a translation of
the earlier work, and Kasparovs praise is cited. This, I think,
does not reflect too well on Batsfords understanding of what they
have actually printed.
People who leave their country of birth and upbringing to live in another land often wrap their memories in a romantic glow of nostalgia far removed from the actual life they experienced. Rare is the person who can look back simultaneously with affection and objectivity.
One such is the Dutch Grandmaster Genna Sosonko who has lived in the Netherlands since 1972, but was brought up in difficult circumstances in St Petersburg. Over a number of years he has published a series of remarkable essays in New in Chess on famous chess personalities. These have now been collected together in one volume with a selection of good photographs. He covers world champions Tal and Botvinnik; chess trainers Zak, Koblenz and Furman (the latter a strong grandmaster in his own right); near greats Geller, Polugaevsky and Levenfish; Vitolins, who found life and chess trying, and ended his life in the River Gauja; and even Capablancas widow, the remarkable and redoubtable Olga Clark.
A feature of the book is how these personalities in their different ways coped, well or badly, with the political system in which they lived and how it affected the decisions they made. When considering, say, Botvinnik, one must bear in mind that his first mentor Krylenko disappeared in the 1930s Great Terror. It is not surprising that Botvinnik took great care to work within the system. Others, Levenfish for example, who did not fit in and possessed a sharp tongue, found a chess career much more difficult. Only Tal, a child of nature and a chess genius to boot, successfully went his own way, oblivious of the world in which he lived.
I have an aversion to chess books without any moves (as I do to chess
books without any words), but Russian Silhouettes is an enthralling read
and is strongly recommended as an insight into a society which produced
more great players than any other, but which has now already receded into
history. It is Sosonkos achievement to bring this remarkable and
often secret world to vivid life. Review by Ray Edwards.
The Kalashnikov is an opening for those who take no prisoners and who
consider draws as an unfortunate necessity when your mating attack has
fallen apart and you need to force a perpetual rather than go into an
ending a couple of pieces and several pawns down. It is wildly popular
at all levels, and yet has been rather short of books for aspiring enthusiasts.
This book supersedes Neil MacDonalds 1995 Batsford work, Winning
with the Kalashnikov, by virtue of its contents: it is absolutely
bursting with games more recent than 1995. Not only that, but it is a
pleasure to read: scattered through it are comments which are guaranteed
to bring a smile to your lips. Main lines are covered thoroughly, unusual
White moves are considered carefully, and in a chapter which every player-in-the-street
will appreciate, various move-order tricks by White are dealt with. Review
by Helen Milligan.
This is a repertoire book, specifically designed to save young players from the hassle of trying to choose openings for themselves... there is the gentlest of hints at the start that the time thus saved could be usefully spent on studying endgames! The openings in question are those that Karpov eventually chose for the majority of his games as Black: the Caro-Kann, Nimzo-Indian, Queens Indian, and lines against the Catalan and English.
Obviously this is a lot of material to pack into a slim volume, and the
coverage is introductory, rather than exhaustive. Still, the book would
make an excellent starting point for young players who prefer subtle strategic
ideas to hacking. It would also be of great interest to readers for whom
Karpov remains a hero: it illustrates his ability to choose lines that
frustrate opponents. The book is written in the uniquely Russian style
that is reminiscent of the English of a hundred years ago: formal, weighty,
serious-minded, and carefully explanatory. Review by Helen Milligan.
Looking for a second way to start the game without getting bogged down
in masses of theoretical material? Then 1 b3, or 1 Nf3 and 2 b3 may suit
you very well. The authors are honest enough to state in their introduction
that White has no advantage in the Nimzo-Larsen, but that
it provides strategically rich positions where the player who brings more
to the game will generally have the better chances as the
two players whose names grace the opening repeatedly demonstrated. The
authors give 69 well annotated games which fully illustrate the strategic
themes involved. The book is laid out in Everymans attractive modern
format. Review by Ray Edwards.
The Chigorin Defence (1 d4 d5 2 c4 Nc6) has not seen much action at the highest level, but has recently been used to some effect by Alexander Morozevich, who is not afraid to try offbeat lines in his games with the high and mighty. There has not been much material published on the opening in recent years and Chigorin aficionados will be keen to see this latest work. The CD-ROM contains seven texts and 93 sample games to tempt the reader into giving it a try.
There are 4,300 games in the reference database, 54 training questions
to test the knowledge acquired and a tree of variations. Generally the
text is workmanlike and well-linked, with a few typos and examples of
clumsy English not detracting from the overall impression of a thorough
job. For those with a computer (with at least a Pentium processor and
Windows 95), this is a stimulating and time-saving way to learn a new
opening; there is no need to own ChessBase software as the CD-ROM comes
with all the software that is required to use the data provided.