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Dance
Collaborator
A retrospective of a profoundly influential career
By Ann Murphy
Published: April 23, 2003
When I arrived in San Francisco light-years ago, Market Street was a sleepy boulevard dazed by bright light, occasional bursts of traffic, and packs of winos slumped in front of shuttered...
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Dance
Flamenco Fever
The smoldering dance reflects our hunger to feel powerful emotions
By Ann Murphy
Published: February 12, 2003
Last fall I went to see flamenco and Spanish dance at the tiny Eureka Theatre on Jackson, where a hint of stale popcorn still haunts the air from its days as a movie house. As the concert began,...
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Dance
The Tired Nut
The last days of San Francisco Ballet's Nutcracker as we know it
By Ann Murphy
Published: December 18, 2002
It costs $1.5 million for 2 1/2 weeks of work for about 170 people, and it depends on fat bags, hats that look like wet dogs, weird harnesses, and 100 pounds of scrap paper in pieces slightly...
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Dance
Outside the Box
Alonzo King's Lines Ballet celebrates 20 years of defying description
By Ann Murphy
Published: October 9, 2002
Try to sneak choreographer Alonzo King into a categorical box, even in the role of iconoclast, and he turns impatient, almost testy. The tall, soft-spoken artistic director of Lines Ballet is the...
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Dance
The Odd Couple
Jenny McAllister and Emma Huckabay form an unexpectedly fruitful partnership
By Ann Murphy
Published: August 21, 2002
They are the local dance world's odd couple -- two choreographers, about 10 years apart in age, staging concerts together for the last nine years, who are neither roommates nor romantic partners....
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Dance
Breath of Understanding
Pondering the questions raised by the international reach of the Ethnic Dance Festival
By Ann Murphy
Published: June 19, 2002
Is dance a universal language that can be understood by anyone? Or is dance many languages with rules one has to first learn in order to understand and appreciate the various dialects? For the past...
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Dance
Life's a Beach
Company Chaddick reinvests modern dance with animal sensuousness, darkness, and joy
By Ann Murphy
Published: April 3, 2002
Out of the blue, choreographer Cheryl Chaddick's rabbit died last week. Buster had gone into the vet's for a routine something or other -- nothing he hadn't undergone before -- so Chaddick was...
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Dance
Into Thin Air
Exploring gravity, before and after the fall
By Ann Murphy
Published: February 6, 2002
In Jess Curtis' upcoming Fallen , you won't find an ankle-deep sea of office paper and fake body parts onstage. You also won't see any imploding buildings projected onto the backdrop, nor does the...
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Dance
Wise Bird
Men may want to take cover when Krissy Keefer, feminist survivor, dances
By Ann Murphy
Published: January 16, 2002
In the grim arts climate of the last three decades, the politically committed and the lifelong rebels have best withstood the onslaught of tough times. For artists on the margins, fervent political...
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Dance
Amazon Queen
Kathleen Hermesdorf investigates female power with a shifting assembly of dancers
By Ann Murphy
Published: December 12, 2001
Ever since Contraband stormed the Bay Area dance scene in the mid-'80s, the grass-roots community has been throwing over traditional arts-organization hierarchies for collectives, partnerships,...
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Dance
All's Fair in Love and War
Old music and new dance hook up in a seamless, surprisingly timely show
By Ann Murphy
Published: November 14, 2001
German choreographer Joachim Schlömer settles into the corner of the Olympia Hotel cafe near the Tenderloin with the sinuous acuity of a cat. His is the gracious, coolly accommodating manner...
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Dance
Mind Games
Fellow Travelers Performance Group wants to crawl around inside your head
By Ann Murphy
Published: October 17, 2001
The setting makes me laugh: Curving walls of unseemly brown, plastered with blobs that resemble spitballs, breasts, or bundles of male organs, sprout short ribbons, like those given to 10-year-olds...
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Dance
In the Dance House
Can choreographers of different generations be neighbors?
By Ann Murphy
Published: September 19, 2001
When people talk about dance, they often conjure up an image of a large open field with lots of different things growing, all exposed to the same elements. But the dance world is more like a house...
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Dance
AXIS Powers
The troupe integrates members with and without disabilities. But is it dance?
By Ann Murphy
Published: June 6, 2001
A month ago, Rhodessa Jones, the wisely sassy performance artist, stood in front of a microphone in the Green Room of the Herbst Theater. She was accepting the dance community's Isadora Duncan...
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Dance
Dance to the Music
Two local choreographers bring the songs onto the stage
By Ann Murphy
Published: May 9, 2001
May is the month of exuberantly blooming flowers, a seeming profusion of women overripe with babies, and boisterous assemblies of birds and bees. It's also the lush, green bridge to summer, so it...
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Dance
Flying High
Jo Kreiter speaks softly but swings from a big stick
By Ann Murphy
Published: April 4, 2001
You have to laugh when soft-spoken Jo Kreiter calls herself the Shape Nazi. She doesn't mean that she leads Weight Watchers groups sporting black boots and a bullwhip, nor that she recklessly...
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Dance
Next of KIN
Robert Moses' troupe fuses community and privacy, society and solitude
By Ann Murphy
Published: March 7, 2001
He began working in the family store in Philadelphia at the age of 6, when most kids are still struggling to tie their shoes. He was educated first as a Catholic -- his mom's religion -- then as a...
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Dance
Beauty and the Beast
Angelin Preljocaj's ballet company dips its toe in art, literature, and history -- with stunning results
By Ann Murphy
Published: February 7, 2001
Ballet and intellectuality often seem to fit together about as well as George W. Bush and a good book. On the one hand, you've got ballet's anachronistic courtly pretension, with women in hooped...
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Dance
Youth and Beauty
Innovation is alive and well in Helgi Tomasson's S.F. Ballet
By Ann Murphy
Published: January 24, 2001
Twyla Tharp started it 28 years ago when she blasted the Beach Boys' "Little Deuce Coupe" through New York's City Center. Onstage, while Brian Wilson's voice whined sweetly, Tharp's pop spectacle...
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Dance
Living With Misha
White Oak Dance Project may be Baryshnikov's brainchild, but dancer Raquel Aedo is not intimidated
By Rachel Howard
Published: October 25, 2000
Raquel Aedo fears few things in the dance world. Her sinewy frame doesn't tremble, for instance, at her boss' every criticism. "I still look at him when I'm watching him perform and see he's...
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