Archive Search Results
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Feature
Missed Interpretation
Deaf students wonder why officials at UC Berkeley and UC Davis won't hear their plea for equal access to education
By Lisa Davis
Published: March 13, 2002
Shazia Siddiqi's grandmother was the first to notice that her 3-year-old granddaughter wasn't speaking much. Doctors confirmed what her family feared: Shazia is profoundly deaf. With the aid of...
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Mecklin
It's the Journalism, Bruce
Why Bruce Brugmann and his Bay Guardian are (by their own admission) failing
By John Mecklin
Published: March 13, 2002
There was a time not very long ago when San Francisco Bay Guardian Publisher Bruce Brugmann thought he was winning the war of the San Francisco weeklies, and back then, he was in a predatory...
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Bay View
Go Nuts
You don't have to be crazy to play the Go Game, but it might improve your chances of winning
By Bernice Yeung
Published: March 13, 2002
From a distance, it is a typical winter weekend at Washington Square Park. The wind is gusting, and joggers and dog-walkers streak across the grass, soaking in the sunshine. Local residents lounge...
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Letters
Letters to the Editor
Week of March 13, 2002
Published: March 13, 2002
Liberal Bias The problem with diversity and tolerance: When you wrote the article endorsing Mark Leno ("Mark of Effectiveness," Matt Smith, Feb. 27), were you laughing yourself silly after...
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Music
Sound and Vision
Without the inventions of Max Matthews, we wouldn't have CDs, MP3s, techno -- or much more
By Darren Keast
Published: March 13, 2002
The graduate course "Music Controller Design and Interface" meets twice a week in a crumbling old ballroom at Stanford. The course's professor, Max Matthews, is in his late 70s and slightly...
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Reviewed
Lambchop
Is a Woman (Merge)
Kimberly Chun
Published: March 13, 2002
In the '70s, "countrypolitan" artists such as Charlie Rich fused traditional country with strings and R&B; in an attempt to woo upwardly mobile Southerners. Modern-day ensemble Lambchop shoots for a...
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Pop Philosophy
Music Lesson
At Noise Pop, Alex Chilton proves you can be a fucked-up rock star and survive
By Dan Strachota
Published: March 13, 2002
Big stars "I think Alex Chilton's got a thing for 12-year-olds," a guy next to me mumbled during the recent Big Star "reunion" show at the Fillmore. The claim seemed plausible, considering the...
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House of Tudor
House Of Tudor
Wild psychobilly madmen, and campy incarcerated ladies
By Silke Tudor
Published: March 13, 2002
While the Nekromantix caught the attention of psychobilly aficionados during the early 1990s -- when Kim Nekroman first traded his drumsticks for an upright double-bass shaped like a coffin --...
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Hear This
Hear This
The Dead C lifts the veil on its mysterious stoner buzz
By Glenn Donaldson
Published: March 13, 2002
A visit by New Zealand noise trio The Dead C is cause for much rejoicing, considering that the legendary group has toured the U.S. only once before, in 1995. Since its debut cassette in 1987, the...
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Hear This
Hear This
Mats Gustafsson joins Gregg Goodman and George Cremaschi for rollicking jazz improv
By Sam Prestianni
Published: March 13, 2002
Berkeley baby boomer and improvising pianist Gregg Goodman periodically curates eclectic shows at his performance space, Woody Woodman's Finger Palace. Three years back, he invited touring Swedish...
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Eat
Bayou by the Bay
New Orleans comes to Noe Valley
By Matthew Stafford
Published: March 13, 2002
Last fall, eager to clear my brain and spirit after a visit to anxious New York, I boarded Amtrak's southbound Crescent City and headed for New Orleans. It was Halloween when I arrived, and the...
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Social Grace
Checks and Balances
The polite way to make a deadbeat friend pick up the check
By Social Grace
Published: March 13, 2002
Dear Social Grace, I have a friend whose company I enjoy: She's funny, clever, intelligent, and kind. The problem arises when we go out for dinner, drinks, lunch, etc. When the check arrives,...
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The Mix
Theatrics
The Gold Dust's bartenders don't just mix drinks, they put on a show
By Greg Hugunin
Published: March 13, 2002
To drop by Union Square's Gold Dust Lounge and see Chuck the bartender do his thing -- he may layer you a Fuzzy Nipple (Kahlúa, peach schnapps, and Irish cream) or fire a straw out of an...
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Film
Lipstick Traces
You wanna kiss Jessica Stein, but does she merit the attention?
By Robert Wilonsky
Published: March 13, 2002
Kissing Jessica Stein ends several times -- which likely explains how a film with so short a running time, 96 minutes, feels as though it lasts much longer -- and each conclusion satisfies; each...
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Reel World
Decodings
A movie historian resurrects a long-dead experimental filmmaker, and a long-departed era of San Francisco
By Michael Fox
Published: March 13, 2002
Decodings In 1997, local experimental filmmaker David Sherman got married at a pagan church and retreat in Geyserville called Isis Oasis. Chatting with the woman who ran the place, Sherman...
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Night&Day;
Monkey Business
The otherworldly chanting of Tibet's Gyuto Monks
By Sam Prestianni
Published: March 13, 2002
In a nation where political and religious leaders draw the line between good and the "axis of evil," it can be tough to grasp the central tenets of Buddhism: non-duality (the fundamental...
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Night&Day;
Words of Wisdom
Performance artist Sarah Jones transforms into eight women to examine human rights in her solo show
By Lisa Hom
Published: March 13, 2002
Sarah Jones has the uncanny ability to slip in and out of identities the way most of us change our clothes, but her knack for impressions has little to do with physical appearances. A New...
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Stage
Ghost Writer
Room evokes Virginia Woolf -- and any author struggling to create
By Michael Scott Moore
Published: March 13, 2002
It may seem wrong to quote Philip Roth in a review that deals with Virginia Woolf, but I can't help it. "When he went to see a production of Waiting for Godot ," writes Roth about the novelist...
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Stage
Peer Gynt
ACT successfully takes on Ibsen's hard-to-stage epic
By Michael Scott Moore
Published: March 13, 2002
Ibsen's epic about a self-aggrandizing scoundrel who grows old without growing wise is nearly impossible to stage, but usually worth seeing anyhow. (Ibsen wrote it for readers, not for playgoers; a...
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