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Feature
Clown Without Borders
Why would a former S.F. stockbroker travel to war-torn countries and refugee camps just to make people laugh?
By Bernice Yeung
Published: December 4, 2002
The first time Moshe Cohen, the leader of the American arm of Clowns Without Borders, performed for the refugees from Guatemala's civil war in southern Chiapas, he baffled the audience. It was...
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Matt Smith
Unnatural Gas
"Environmentalists" make bad transit worse by insisting Muni buy alt-fuel buses
By Matt Smith
Published: December 4, 2002
The bus is for chumps. There: I've said it. I know, I know -- Transit First, livability, access, a better environment, safer streets, improved quality of life, humane urban space, etc., etc.,...
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Dog Bites
Photo Phreaks
Is scrapbooking a hobby – or a mental disorder?
By Andrea Nelson
Published: December 4, 2002
Most people store snapshots of family and friends in a haphazard pile in the handiest desk drawer, where they gradually turn brown and get buried in loose change, old check stubs, and pencil...
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Letters
Letters to the Editor
Week of December 4, 2002
Published: December 4, 2002
Ludicrous, just ludicrous! Byrne has his head up his ass: I want to clear up an important omission in Peter Byrne's recent article ["Griftin' on the Dock of the Bay," Nov. 20]. There...
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Music
Punch-Drunk Love
The Run For Cover Lovers walk the thin line between love and hate
By Dan Strachota
Published: December 4, 2002
Love stinks. We know it does, because the J. Geils Band says so. If other song titles are any judge, love also hurts, sucks, and bites. Somehow, however, this feeling blooms eternal, rising from...
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Reviewed
23 Skidoo
The Gospel Comes to New Guinea
Just Like Everybody Part TwoBy Philip Sherburne
Published: December 4, 2002
It's been a great year for reissues. The resurgence of interest in overlooked post-punk classics has led to the re-release of Cabaret Voltaire's entire back catalog, as well as Soul Jazz's In the...
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Reviewed
Richard Buckner
Impasse
By Lawrence Kay
Published: December 4, 2002
In the early 1990s, then-local singer Richard Buckner detached himself from his longtime band, the Buckets, to become one of altcountry's rising stars. Although steeped in traditional country and...
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Reviewed
Talib Kweli
Quality
By Martin Woodside
Published: December 4, 2002
It's strange to think of Quality as a coming-out party for Talib Kweli, since an artist as respected as Kweli shouldn't need one. In the late '90s the thoughtful MC (whose name combines Arabic...
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House of Tudor
House of Tudor
Modern-day torch songs, synth-pop sleaze, and Central Asian electro hybrids
By Silke Tudor
Published: December 4, 2002
As the sixth-largest city in the country and the first major metropolis north of the Mexican border, San Diego should have more to offer to the cultural mix than, say, Rocket from the Crypt and...
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Hear This
Hear This
The spazzy punks in Sexy make pants-dropping tunes
By Ajax Green
Published: December 4, 2002
Ever since Jim Morrison's bacchanalian heyday, many rockers have tried and failed to get loaded and deliver a good show. Most musicians who get drunk on stage play like three-fingered adolescents...
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Eat
Noblesse Oblige
Charles Nob Hill
By Lisa Davis
Published: December 4, 2002
Having heard about Charles Nob Hill for years, three foodie friends and I decided that when the fall chill finally entered the city we'd give in to a grown-up dinner at one of San Francisco's...
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Social Grace
Calculating Kindness
How to pay off good Samaritans, party during Ramadan, and play footsie during dinner
By Social Grace
Published: December 4, 2002
Dear Social Grace, Last summer, my girlfriend and I were driving through the Navajo Nation (in what we call Arizona), viewing all the amazing mesas and terrible poverty, when my car got stuck...
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Film
Full Speed Ahead
Arthur Miller's daughter Rebecca comes into her own with Personal Velocity
By Bill Gallo
Published: December 4, 2002
Each of the beautifully made vignettes that comprise Rebecca Miller's Personal Velocity glimpses a young woman caught at a crossroads, faced with an important decision, and about to experience...
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Reel World
The Searchers
Feeling dubious about Reese Witherspoon, and other insights from film historian David Thomson
By Michael Fox
Published: December 4, 2002
"There's definitely a point at which someone my age says, "Am I serving any purpose by referring people back to the past?'" admits David Thomson, the British-born, S.F.-based film critic and...
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Reps Etc.
Reps Etc.
Published: December 4, 2002
Commentary by Gregg Rickman ( greggr1@mindspring.com ). Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult...
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Night&Day;
Sometimes You Feel Like a Nut
No rhythm? Look lousy in a tutu? Fit right in at the Dance-Along Nutcracker
By Heather Wisner
Published: December 4, 2002
Visions of sugarplums be damned: When you leave the Dance-Along Nutcracker , you'll have images of drag queens and grannies and wee tots dancing in your head. This Nutcracker , originally...
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Night&Day;
Finder's Keepers
Your trash is treasure to Davy Rothbart, creator of Found magazine
By Lisa Hom
Published: December 4, 2002
Trashiness is in the eye of the beholder, but there's a general consensus that Davy Rothbart 's Found magazine is as trashy as it gets. Rothbart's pet project isn't a supermarket tabloid that...
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Art
Anxious Times
The latest incarnation of "Bay Area Now" displays a restless discontent with the status quo
By Adrienne Gagnon
Published: December 4, 2002
I'm not sure what I expected, really. Tear gas, flower-clogged gun muzzles, passionate speeches proposing radical resistance? Eighty thousand people marched down Market Street on Oct. 26 to protest...
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Stage
She Stands Alone
It's every man for herself in Hedwig's glam-rock solo tour de force
By Michael Scott Moore
Published: December 4, 2002
Most people know that the Hedwig phenomenon started as a play in Greenwich Village, but many wouldn't know, from the movie, that the person playing Hedwig in the live production has to be several...
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Stage
Alarms & Excursions
Benny Hill-esque fragments from Michael Frayn's cutting-room floor
By Michael Scott Moore
Published: December 4, 2002
Michael Frayn's latest farce, after the dead-serious Copenhagen , is as shallow as it is witty. It starts like a simmering pot of water: Four middle-class Londoners are trying to have a dinner...
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