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Miguel Ángel Asturias (1899-1974) | |
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Guatemalan poet, novelist, diplomat, and winner of the Nobel Prize for literature in 1967. Asturias's writings combine the mysticism of the Maya with epic impulse toward social protest. His most famous novel is EL SEÑOR PRESIDENTE (1946), about life under the rule of a ruthless dictator. Asturias spent much of his life in exile because of his public opposition to dictatorial rule. "If you write novels merely to entertain - then burn them! This might be the message delivered with evangelical fervour since if you do not burn them they will anyway be erased from the memory of the people where a poet or novelist should aspire to remain. Just consider how many writers there have been who - down the ages - have written novels to entertain! And who remembers them now?" (from Nobel Lecture, 1967) Miguel Angel Asturias was born in Guatemala City as the son of Ernesto Asturias, a lawyer, and María Rosales, a schoolteacher. His father and mother were forced to move to the town of Salamá as a result of their political differences with the Guatemalan dictator Estrada Cabrera. After returning to Guatemala City with his family, Ernesto Asturias became a sugar and flour importer. In 1917 Asturias entered the university, where he studied medicine for a year and then transferred to law. As a representative of the Asociación General de Estudiantes Universitarios he traveled to Honduras and El Salvador. In 1921 he traveled to Mexico as one of Guatemala's spokesmen to the International Student Congress. Asturias received in 1923 a law degree at San Carlos University, and continued his education in Europe. Instead of taking economics as his father had intended him to do, Asturias studied anthropology under Georges Raymond in Paris at the Sorbonne (1923-28) and encountered French translations of Mayan writings. He developed a deep concern for the Mayan culture and in 1925 he translated the sacred Mayan text Popol Vuh into Spanish. During these years Asturias also began to write poetry and fiction. In 1923 he founded the magazine Tiempos Nuevos. Asturias lived in Paris for ten years. Astrurias established his reputation as a stylist with LEYENDAS DE GUATEMALA (1930), based on a Mayan myth. The Leyendas were half fairy-tales, half poetry, written in a lyrical Spanish. Two years later Asturias wrote his first novel on the theme of Latin American dictatorship, EL SEÑOR PRESIDENTE, was completed in 1933 but it did not appear until 1946. The society of the novel is corrupted; evil spreads downwards from the ruler. Justice is a mockery, and army officers spend their time plotting or in brothels. El Señor Presidente utilized surrealistic techniques; it reflected Asturias's idea that Indians' nonrational perception of reality is an expression of the subconscious forces, the collective dream of mankind. "In the city of Copan, the King walks his silver-skinned does in the Palace gardens. The royal shoulder is adorned with a jewelled feather of nahual. He wears on his breast magic shells, woven upon golden thread." The story is partly based on real events, although it has no precise time or locale. Estrada Cabrera, the dictator of Guatemala from 1898 to 1920, made his political adversary, Manuel Paz, believe that Paz's wife had been unfaithful to him. In the novel, set in the unnamed capital of an unnamed state, the President tries to eliminate two of his enemies, General Canales and a lawyer, Carvajal. The General manages to escape, and the President's favorite, Miguel Cara de Ángel falls in love with his daughter, Camila. General Canales dies of heart failure on reading a false newspaper report that the President had attended his daughter's wedding; Cara de Ángel is arrested and he receives a false report that Camila has become the President's mistress. --"An angel!" The wood-cutter couldn't take his eyes from him. "An angel," he repeated, "an angel!" After returning to Guatemala in 1933 Asturias worked as a journalist and made broadcasts for El Diaro del Aire. He was a journalist between the years 1933 and 1942. In the 1940s he a entered diplomatic career, and served as a cultural attaché in Mexico (1945-47) and held a number of other diplomatic posts. From 1947 to 1953 he was in Buenos Aires, in Paris in 1952-53, and as ambassador to San Salvador in 1953-54. He separated from his first wife Clemencia Amado and married Blanca de Mora y Aruaho in 1950. Asturias's career in the diplomatic corps ended for a while when he was banished by the right-wing forces of Carlos Castillo Armas, never to live in Guatemala again. HOMBRES DE MAÍZ (1949) is considered Asturias's masterpiece. It depicted a rebellion by a remote tribe of Indians against desecration of their mountains and their annihilation by the army. The novel plunged deep into the magic world view of Indians. Asturias used in it his knowledge of pre-Columbian literature and told the story in a form of a myth. Gaspar Ilóm, the first of the myth-figures presented by the author, is an undying voice of truth: "Thus he spoke with his head separated from his body, pointed, warm, wrapped in the grey mop of the moon. Gaspar Ilóm grew old as he was speaking. His head had fallen to the ground like a flower pot sown with little feet of thoughts..." Gaspar leads a rebellion against the maize planters, and becomes a legend. Eventually the Indians lose their land, and their magic. Because of the difficult style of the book, it was ignored for a long time. In the 1950s Asturias wrote the so-called Banana Trilogy, VIENTO FUERTE (1950), EL PAPA VERDE (1954), and LOS OJOS DE LOS ENTERRADOS (1960), revealing the evils of the United Fruit Company. Asturias depicts how a plantation is set up in a small Central American state, and how the villages are seized and burned. In the last part the central action concerns the efforts of Octavio Sansur to arrange a general strike. In the end both peasant/worker cooperatives and labour unionism face formidable obstacles. WEEK-END EN GUATEMALA (1956) a collection of short stories, dealt with the intervention of the United States against the Arbenz government. When colonel Castillo Armas took power in 1954, Asturias lived in exile in Chile with the poet Pablo Neruda and later in Buenos Aires where he worked as a correspondent for the Venezuelan newspaper El Nacional. In 1962 Argentinian policy forced him into exile again. Asturias moved to Italy as a cultural exchange programme member. In 1966 he was named by the new president of Guatemala as ambassador to France. Asturias spent his final years in Madrid, where died on a lecture tour on June 9, 1974. For further reading: Into the Mainstream: Conversations with the Latin-American Writers by L. Harss & B. Dohmann (1967) Myth and Social Realism in Miguel Ángel Asturias by Luis Leal (1968); An Introduction to Spanish-American Literature by Jean Franco (1969); Miguel Angel Asturias by R.J. Callan (1970); Miguel Ángel Asturias by Eladia León Hill (1972); Conversaciones con Miguel Ángel Asturias by Álvarez Luis López (1974); De tirasnos, héroes y brujos by Giuseppe Bellini (1982); La problemática de la identidad en "El Señor Presidente" de Miguel Ángel Asturias by Teresita Rodríquez (1989); Miguel Ángel Asturias's Archaeology of Return by René Prieto (1990); Las Novelas de Miguel Ángel Asturias desde la teoría de la recepción by Lourdes Royano Gutiérrez (1993) Selected bibliography:
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