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José Martí (1853-1895) | |
Cuban poet, essayist and journalist, who became the symbol of Cuba's struggle for independence from Spain and who promoted better understanding among American nations. "No man has any special right because he belongs to any specific race; just by saying the word man, we have already said all the rights." Martí's three major collections of poems were Ismaelillo (1882), Versos sencillos (1891), and Versos libres, written in the 1880s, but published posthumously in 1913. In his most famous political poem, 'Sueño con claustros de mármol', he takes the reader in his dream world, in which sculptures of dead heroes come alive: Sueño con claustros de mármol José Martí was born in Havana, the son of a soldier of the Spanish garrison who retired to become a watchman. The educational reformer Rafael María Mendive (1821-1886) persuaded Martí's father to allow him to study at secondary school. He attended the Instituto de Havana (1866-69), and worked on the underground periodicals El Diablo Cojuelo and La Patria Libre. At the age of sixteen Martí was arrested for subversion and sentenced to six years' hard labor in a chain gang. After a year he was exiled to Spain, where he studied at the University of Madrid (1873) and University of Saragosa, receiving a degree in law in 1873, and a year later a degree in philosophy and letters. In Spain he published El presidio de Cuba in 1871. Between 1874 and his death, Martí was in Cuba three times, once under a false name. "The truth is, Fermin, that I no longer live except for my land," he wrote to his friend Fermín Valdés, "but a thousand times I hold back what love for her demands so that it does not seem that I do it out of self-interest or to win renown." In 1875 Martí moved to Mexico and wrote for Revista Universal. He then taught literature and philosophy at the University of Guatemala and returned to Cuba where he worked in a law office. In 1879 he was again deported to Spain. Because of his political activities, Martí was unwelcome to many countries. In 1881 he moved to New York City, where he worked as an editor, journalist or foreign correspondent for several magazines, including the New York Sun, El Partido Liberal, La Opinión Nacional, La Nación, La República, El Economista Americano, and La Opinión Pública. Martí also served as consul for Uruguay, Paraguay, and Argentina, and was a Spanish teacher at Central High School. Martí's most influential collection of poems from his mature period, Versos sencillos (1891), was produced during a particularly difficult period in his life. For years he had lived apart from his wife, Carmen Zayas Bazán, and his son José. The couple separated after Carmen briefly visited New York in 1890. Since 1880 Martí had been romantically entangled with Carmen Mantilla, a married woman. Carmita's daughter María is the protagonist of several "versos sencillos." His crisis is reflected among others from the poem 23: "Yo quiero salir del mundo / por la puerta natural: // en un carro de hojas verdes / a morir me han de llevar. // No me pongan en lo oscuro a morir como un traidor: // yo soy bueno, y como bueno / moriré de cara al sol." I wish to leave the world Except for travels, Martí remained in the U.S. until the year of his death. He published the periodical La patria, which followed events in Cuba, and launched a crusade for the independence of his birth country from Spain. In 1894 he founded the Cuban revolutionary Party and tried to lead a company of revolutionaries from the U.S. to Cuba. The plan failed but the next year he succeeded in reaching Cuba, and died in a skirmish at Dos Rios on May 19, 1895. The popular song Guantanamera is based on Marti's poem, which was made famous by the composer Joseíto Fernández. His style is still considered a model of Spanish prose. Martí's collected writings in 73 volumes appeared in 1936-53. The main body of Martí's prose was journalistic in nature, written for newspapers and magazines. In his essays he always reaffirmed his anti-colonialist and anti-racists beliefs. In his essay 'Nuestra América' (1891) Martí formulated his own pan-Latin-American doctrine. He emphasized the need to come to terms with the continents multi-racial identity and the importance of teaching thoroughly the history of America, from the Incas to the present. During the last fifteen years of his life, Martí sent regular contributions to important Spanish American newspapers and in his essays displayed a new style, which had a deep influence on the literary prose of every Spanish-speaking nation. For further reading: José Martí: Cuban Patriot by Richard B. Gray (1962); Introducción a José Martí by Roberto Fernández Retamar (1978); José Martí: Mentor of the Cuban Nation by John M. Kirk (1983); José Marti: Revolutionary Democrat, ed. by Christopher Abel and Nissa Torrents (1986); Nuevos asedios al modernismo, ed. by Iván A. Schulman (1987); José Martí and the Emigré Colony in Key West by C. Neale Ronning (1990); Relecturas martianas: Narración y nación by Iván A. Schulman (1994) - SEE ALSO Che Guevara - OTHER 19th century writers criticizing colonialism: Herman Melville, Multatuli Selected works:
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