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Abraham Polonsky (1910-1999) | |
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American director and screenwriter who wrote essays, radio scripts and several novels before starting his career in Hollywood. Polonsky was blacklisted by the House on Un-American Activities Committee for refusal to cooperate during the anti-Communist witch hunt of the 1950s. Among his most famous works as a screenwriter is the classic boxing film BODY AND SOUL (1947), directed by Robert Rossen. Its influence can be seen in Martin Scorsese's Raging Bull (1980) and also in Sylvester Stallone's Rocky movies. "First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is." (Polonsky in Directing the Film by Ed Sherman, 1976) Abraham Polonsky was born in New York City as the oldest son of a Russian-Jewish immigrants. His father, who spoke and wrote several languages, was a pharmacist, and a graduate from the University of Columbia. His father's socialist ideals influenced deeply Polonsky. He read voraciously books from their home collections, and decided to become a writer at an early age. Later in the novel ZENIA'S WAY (1980) Polonsky portrayed his father, who had wanted to become a doctor and dreamed of returning to school: "Mostly, though, he seemed to be wanting to have a different profession entirely and often spoke of it as if it were still possible. Anyway he was clever and witty about it." In 1928 Polonsky entered the New York City College and after graduating he studied at Columbia Law School, receiving his B.A. (1935). He practiced law for a few years and taught at the New York City College. In 1937 he left his work as a lawyer and decided to devote himself to writing, first for radio. "Writing good sentences is a gift," Polonsky has said in an interview. "And writing good dialogue is a special gift." Probably in the late 1930s Polonsky also joined the American Communist Party. He participated in the union politics and established and edited a local newspaper, The Home Front. In 1940 Polonsky published his first novel, a mystery story THE GOOSE IS COOKED, which he wrote with Mitchell A. Wilson, using co-pseudonym Emmert Hogarth. Before signing a screenwriter's contract with Paramount, Polonsky published another novel, THE ENEMY SEA (1943), which was dedicated to National Maritime Union. During World War II Polonsky served with the OSS in Europe, and moved to Hollywood after the war. Charley: "When I lose the championship, they'll have to carry me out." In Paramount Polonsky's script for Mitchell Leisen's GOLDEN EARRINGS was thoroughly revised. The film failed badly both with the critics and the public. Polonsky left Paramount and made screenplay for Robert Rossen´s Body and Soul, starring John Garfield and Lilli Palmer. It was nominated for an Academy Award. Charley (Garfield) has left his poor neighborhood, friends and family, and gained fame as a boxer. He is obsessed with money and fame, and prefers the company of those who flatter him. He signs a contract with a gangster, and is ordered to take a dive and lose his title. The crucial scene in the ring was intensely shot by James Wong Howe. Polonsky juxtaposed the world of money with friendship and love, and the boxing arena becomes a metaphor for survival under the rules of capitalism. "Body and Soul made money. It was a hit. When it was a hit, I was a hit. I had never directed anything. But I figured I could do it. And I could. I knew that was where the fun was. The director spends the money. And it's harder to replace him. You can get rid of him, but it's a very expensive hobby. Getting rid of the writer is cheaper." (Abraham Polonsky in 'If You Don't Get Kiled It's a Lucky Day' by Lee Server, published in The Big Book of Noir, ed.by Lee Server, Ed Gorman, Martin H. Greenberg.1988) Polonsky's first film as a director, FORCE OF EVIL (1948), is considered most overtly political of all the crime films of the 1940s. After completing his first directorial effort Polonsky went to Europe to write a novel and acquire the screen rights for Thomas Mann´s short story Mario and the Magician, an allegorical tale of the power of fascism. Force of Evil did not gain success in the United States but it was hailed as a masterpiece in England, and enjoys nowadays a cult status. The film was based on Ira Wolfert's underworld novel Tucker's People. In the story a lawyer, Joe Morse (John Garfield), has sold his expertise to Tucker (Roy Roberts), a gangster, who considers himself a businessman. "I wasn't strong enough to resist corruption, but I was strong enough to grab a piece of it," says Garfield's character to Beatrice Pearson, an idealistic young woman. Tucker runs an illegal lottery known as the "numbers racket". Joe finds that his boss has killed his brother Leo, who had his own lottery. "The analogy between the numbers racket and capitalism itself, with the reduction of human life to money and numbers, and the irresistible urge to monopoly, are there for all to see, reinforced by several location sequences in which the skyscrapers and steel bridges of New York dwarf the human dramas enacted below." (from The BFI Companion to Crime, ed. by Phil Hardy, 1997). Polonsky's "autopsy on capitalism" presented a merciless view of society, where rich get richer by exploiting the poor. After it Polonsky did not direct again for twenty years. The influence of this film is seen among others in Martin Scorsese's Mean Streets (1973), in which Harvey Keitel's character struggles with a similar moral choice as Garfield. Polonsky's third and most celebrated novel, THE WORLD ABOVE, appeared in 1951. The work follows psychologist Carl Myers as he learns that outside the walls of the objective scientific research there are real people and their problems. Polonsky´s film projects were stopped when he refused to testify before the House Un-American Activities Committee (HUAC). The Illinois congressman Harold Velde called the director a "very dangerous citizen". "It was around by the time I did Force of Evil," said Polonsky later. "It was in the air. It was part of the cold war. The blacklist was already happening to people. It was inevitable that it was going to happen to me too unless I changed my position, which I wasn't about to do. So..." (in 'If You Don't Get Kiled It's a Lucky Day' by Lee Server) Although blacklisted, Polonsky continued in film industry, writing TV scripts and doctoring screenplays. In the 1950s he returned with his family to New York, where he wrote for CBS, among others episodes for Danger series, in which directors included Sidney Lumet, John Frankenheimer and Yul Brynner, and for You Are There, a dramatized documentary of such historical events as the trial of Joan of Arc, the death of John Dillinger, etc. With Harry Belafonte and Robert Wise he made ODDS AGAINST TOMORROW (1959). Polonsky wrote the script but was given public credit for it forty years later. In the crime story three men plan to rob a bank, but racial hatred causes the enterprise to fail. Robert Ryan played a racist ex-con, Belafonte was a gambler, and David Burke a former policeman. The jazz score was composed by John Lewis of the Modern Jazz Quartet. In the 1960s Polonsky was story editor of the Canadian series Seaway (1964-65). He was then employed by Frank Rosenberg from Universal-International, first to write for Kraft Suspense Theatre, and then as a screenwriter for MADIGAN (1968), an unpretentious police thriller, starring Richard Widmark and Henry Fonda. Polonsky again used his own name in the credits. The director was Don Siegel. In 1970 Polonsky returned to Hollywood as a director with TELL THEM WILLIE BOY IS HERE (1970), nearly a quarter of a century after his directorial debut. The film was based on Harry Lawton's novel aabout Indian turned cowboy, who is pursued into desert after an accidental death. Polansky's third and last directional work, ROMANCE OF A HORSETHIEF (1971), was set in Poland at the turn of the century. Filmed in Yugoslavia, most of its technical staff did not speak English. David Opatoshu, who wrote the script-it was his first-was according to Polonsky shocked when the director used accidents as a technique in making the film. The nostalgic Jewish drama ended up rather like Fiddler on the Roof without the music. Polonsky himself enjoyed making the film, it got mostly good reviews, but people did not want to see it. "I was very surprised that they didn't," the director said. The following films, among them old projects like Mario and the Magician and Childhood's End, based on Arthur C. Clarke's novel, did not materialize. In the 1970s Polonsky worked with AVALACHE EXPERSS, based on Colin Forbes's thriller. In the early 1980s he helped in MOMMIE DEAREST, based on Christina Crawford's memoirs, and THE MAN WHO LIVED AT THE RITZ (1981), based on A.E. Hotchner's novel. MONSIGNOR, from Jack Alain Léger's novel, is among Polansky's last feature films as a co-screenwriter. In 1980 Polonsky published ZENIA'S WAY, a novel which partly draws from his childhood memories. He received the Career Achievement Award of the Los Angeles Film Critics Association in 1999. Polonsky died on October 26, 1999, in Beverly Hills. For further reading: A Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left by Paul Buhle, Dave Wagner (2001); Literature Film Quarterly Vol. XXIV (1996); Musta käytävä by Matti Salo foreword by Abraham Polonsky (1991); Radical Innocence by Bernard F. Dick (1989); The Director's Event: Interviews With Five American Film-Makers by Eric Sherman & Martin Rubin (1970); Creative Differences by Barbara Zheutin and David Talbot (1978); Directing the Film by Ed Sherman (1976) - See also: Hollywood blacklist - Other blacklisted screenwriters: Paul Jarrico, Michael Wilson, Hugo Butler, Dalton Trumbo. Selected films as screenwriter:
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