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Arthur Rimbaud (1854-1891)

 

French poet and adventurer, who stopped writing verse at the age of 21, and became after his early death an inextricable myth in French gay life. Rimbaud's poetry, partially written in free verse, is characterized by dramatic and imaginative vision. "I say that one must be a visionary - that one must make oneself a VISIONARY." His works are among the most original in the Symbolist movement, which included in France such poets as Stéphane Mallarme and Paul Paul Verlaine, and playwrights as Maurice Maeterlinck. Rimbaud's best-known work, LE BÂTEAU IVRE (The Drunken Boat), appeared in 1871. In the poem he sent a toy boat on a journey, an allegory for a spiritual quest.

It is found again.
What? Eternity.
It is the sea
Gone with the sun.

(from 'L'Éternite', 1872)

Arthur Rimbaud was born in Charleville, in the northern Ardennes region of France, the son of Fréderic Rimbaud, a career soldier, who had served in Algria, and Marie-Catherine-Vitale Cuif, an unsentimental matriarch. Rimbaud's father left the family and from the age of six young Arthur was raised by her strictly religious mother. Rimbaud was educated in a provincial school until the age of fifteen. He was an outstanding student but his behavior was considered provocative. After publishing his first poem in 1870 at the age of 16, Rimbaud wandered through northern France and Belgium, and was returned to his home in Paris by police.

In 1871 he met poet Paul Verlaine (1844-1896), whose collection of poems, Les Amies (1867) had been banned by a court. Verlaine was an alcoholic who had a taste had a taste for absinthe. He left his family - his young wife, Mathilde Mauté, was expecting a baby - and fled with the teenaged Rimbaud to London in 1872 to live a Bohemian life. Most of the time they lived in poverty and abused drink and drugs. Rimbaud accepted uncleaniness, including body lice, but Verlaine was horrified by the English cuisine, especially "the abominable oxtail soup": "Fie on such a horror! A man's sock with a rotten clitoris floating in it." Their relationship ended next year in Brussels, when Rimbaud tried to break off the relationship. Verlaine, drunk and desolate, shot Rimbaud in the wrist with a 7mm pistol after a quarrel. Verlaine was tried for attempted murder and sent to Brussels' Amigo Detention Center. Rimbaud returned to the family farm in Roche, where he finished his UNE SAISON EN ENFER (A Season in Hell).

Rimbaud's collection of poetry and prose pieces, A Season in Hell, appeared in 1873. "One evening, I sat Beauty in my lap. - And I found her bitter. - And I cursed her." Rimbaud gave some copies of the book to his friends - one was sent to P. Verlaine at the Petits Carmes Prison - but the spiritual autobiography did not receive any reviews. After completing in England ILLUMINATIONS, a collection of prose poems, Rimbaud gave up literature and burned his manuscripts. In 1901 the first edition of A Season in Hell was found at the printers' in its original packing. Eventually the work became a touchstone for anguished poets, artists, and lovers. In 1874 Rimbaud spent some time in London with Germain Nouveau, a young poet, who had only one testicle. Nouveau member of the Zutistes circle - a group of poets who wrote verses in a notebook, the Zutiste Album. At the British Library Rimbaud was not allowed to read Marquis de Sade's books because he was under twenty-one. Verlaine, whom Rimbaud saw last time in 1875, and with whom he had a violent quarrel, published a selection of Rimbaud's poems and wrote about him in LES POÈTES MAUDITS (1884).

In 1875-76 Rimbaud learned several languages, English, German, Spanish, Italian, Russian, Arabic and Greek, and started his vagabond life again. He worked a teacher in Germany, unloaded cargo in Marseilles, enlisted in the Netherlands army but deserted in Sumatra. In 1876 Rimbaud robbed a cabman in Vienna. In the last dozen years of his life, Rimbaud worked in the import-export field for series of French employers dealing everything from porcelain to weaponry - possibly he was a slave dealer.

Rimbaud arrived in 1880 in Aden after short sojourns in Java and Cyprus. Rimbaud made business travels in modern-day Yemen, Ethiopia, and Egypt, and walked occasionally hundreds of miles at the head of trading caravans through dangerous lands. He was the first European to penetrate into the country of Ogadain. His expertise and learning of the language, religion, and culture of local peoples was acknowledged when the French Geographical Society deemed his commercial and geographical report on East Africa worthy of publication.

In 1886 Verlaine published Rimbaud's book of poems, Illuminations. It revealed Rimbaud's longing for spiritual values and reestablished his reputation as a major poet. A rumor started to spread in September 1888 that Rimbaud was dead and next year Le Décadent published as a joke a list of donors to the statue of Rimbaud. In February 1891 Rimbaud felt pain in his left knee, and went to Marseilles to see a doctor. The leg had to be amputated because of enormous, cancerous swelling. Rimbaud died in Marseilles on November 10, 1891, and was buried in Charleville in strict family intimacy. Isabelle, Rimbaud's sister, had never known till after her brother's death, that he had been a poet. Rimbaud's African servant boy, Djami Wadaï, was one of his major heirs apart from his family.

Tête de Faune
Dans la feuillée, écrin vert taché d'or,
Dans la feuillée incertaine et fleurie
De splendides fleurs où le baiser dort,
Vif et crevant l'exquise broderie,
Un faune égaré montre ses deux yeux
Et mord les fleurs rouges de ses dents blanches.
Brunie et sanglante ainsi qu'un vin vieux,
Sa lévre éclate en rires sous les branches.
Et quand il a fui - tel qu'un écureuil, -
Son rire tremble encore à chaque feuille,
Et l'on voit épeuré par un bouvreuil
Le Baiser d'or du Bois, qui se recueille.
For further reading: La Vie de Rimbaud et de son oeuvre by Marcel Coulon (1929); Flagrant délit by André Breton (1949); Le Mythe de Rimbaud by René Etiemble (1954); The Time of the Assassin by Henry Miller (1954); Rimbaud by Cecil Hackett (1957); Arthur Rimbaud by Enid Starkie (1962); Rimbaud vu par Verlaine by Henri Peyre (1975); Season in Hell by John Le Carre (1979); Rimbaud: a Critical Introduction by Cecil Hackett (1981); Rimbaud by Pierre Petitfils (1982); Arthur Rimbaud: portraits, dessins, manuscrits, ed. by Hélène Dufour and André Guyaux (1991); Delirium by Jeremy Reed (1991); La vie d' Arthur Rimbaud by Jean Bourgignon and Charles Houin (1991); Arthur Rimbaud by Benjamin Ivry (1998); Somebody Else: Rimbaud in Africa 1880-1891 by Charles Nicholl (1999); Arthur Rimbaud by Jean Luc Steinmetz (published 2000); Arthur Rimbaud by Jean-Jacques Lefrère (2001) - Note: The rock star Jim Morrison was influenced by Rimbaud's poems, and by the 1980s punk rockers, such as Patti Smith and Tom Verlaine, were inspired by the poet's sexual unconventionality and obscenity - Rimbaud Museum: Le Vieux Moulin, quai Arthur Rimbaud, F-08000 Charleville-Mézières, Ardennes - Film: Total Eclipse (1995), a hysterical dramatization of the famous literary conjunction, the destructive love affair of Verlaine and Rimbaud. Directed by Agnieszka Holland, starring Leonardo DiCaprio, David Thewlis - Suom.: Suomeksi Rimbaudilta on julkaistu mm. runoja teoksessa Tuhat laulujen vuotta, toim. Aale Tynni (1974), sekä Säteilevät kuvat ja Kausi helvetissä, Pekka Parkkisen ja Jaakko Ahokkaan kääntäminä 1983.

Selected works:

  • LE BÂTEAU IVRE, 1871 -The Drunken Boat (translators: Samuel Beckett; Clark Mills; Brian Hill) / The Drunken Boat & Other Poems (tr. by Eric Greinke)
  • UNE SAISON EN ENFER, 1873 - A Season in Hell (tr. by Dennis J. Carlile, in Rimbaud: the Works: A Season in Hell, Poems & Prose, Illuminations) / Une saison en enfer. Les illuminations. A Season in Hell. The Illuminations (tr. by Enid Rhodes Peschel) / A Season in Hell & Illuminations (tr. by Wyatt Mason) / ASeason in Hell and Other Works = Une saison en enfer et oeuvres diverses (tr. by Stanley Appelbaum) / A Season in Hell (tr. by Donald Revell) - Kausi helvetissä = Une saison en enfer: runoja (suom. Einari Aaltonen)
  • ILLUMINATIONS, 1886 (ed. by Paul Verlaine) - Illuminations (tr. by Daniel Sloate) / Rimbaud's Illuminations. A study in Angelism (tr. by Wallace Fowlie) / Illuminations, and Other Prose Poems (tr. by Louise Varèse) / (tr. by Dennis J. Carlile, in Rimbaud: the Works: A Season in Hell, Poems & Prose, Illuminations) / Une saison en enfer. Les illuminations. A Season in Hell. The Illuminations (tr. by Enid Rhodes Peschel) / A Season in Hell & Illuminations (tr. by Wyatt Mason) - Illuminaatioita = Illuminations: runoja (suom. Einari Aaltonen)
  • LE RELIQUAIRE, 1891
  • POÈMES, 1891
  • POÉSIES COMPLÈTES, 1895 (publ. by Verlaine)
  • LETTRES, 1899
  • LES MAINS DE JEANNE-MARIE, 1919
  • ŒUVRES COMPLÈTES, 1921
  • UN CŒUR SOUS UNE SOUTANE, 1924
  • LETTRES (1870-1875), 1931
  • ŒUVRES, 1931
  • POÉSIES, 1939
  • ŒUVRES COMPLÈTES, 1946 - Kirjeitä Afrikasta ja runoilijakomeetan kirjeitä (suom. Einari Aaltonen, alkuteoksesta Œuvres complètes)
  • Poems of the Damned, 1960 (tr. by Jacques Leclercq)
  • CORRESPONDANCE 1888-91, 1970
  • Arthur Rimbaud: Complete Works, 1975 (tr. by Paul Schmidt)
  • Rimbaud Complete Works: Selected Letters, 1987
  • Poems, 1994 (selected by Peter Washington)
  • From Absinthe to Abyssinia: Selected Miscellaneous, Obscure and Previously Untranslated Works of Jean-Nicolas-Arthur Rimbaud (tr. by Mark Spitzer)
  • I Promise to Be Good: the Letters of Arthur Rimbaud (tr. by Wyatt Mason)
  • Rimbaud: Complete Works, Selected Letters: a Bilingual Edition (tr. by Wallace Fowlie)


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