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Victor Hugo (1802-1885)

 

Novelist, poet, and dramatist, the most important of French Romantic writers. In his preface to his historical play CROMWELL (1827) Hugo wrote that romanticism is the liberalism of literature. Hugo developed his own version of the historical novel, combining concrete, historical details with vivid, melodramatic, even feverish imagination. Among his best-known works are The Hunchback of Notre Dame and Les Misérables.

"How came it that this prudent, economical man was also generous? That this chaste adolescent, this model father, grew to be, in his last years, an ageing faun? That this legitimist changed, first into a Bonapartist, only, later still, to be hailed as the grandfather of the Republic? That this pacifist could sing, better than anybody, of the glories of the flags of Wagram? That this bourgeois in the eyes of other bourgeois came to assume the stature of a rebel? These are the questions that every biographer of Victor Hugo must answer." (from Olympio: The Life of Victor Hugo by André Maurois, 1954)

Victor-Marie Hugo was born in Besançon as the son of Joseph-Léopold-Sigisbert Hugo and Sophie Trébuchet. Hugo's father was an officer in Napoleon's army, an enthusiastic republican and ruthless professional soldier, who loved dangers and adventures. After the marriage of his parents had collapsed, he was raised by his mother. In 1807 Sophie took her family for two years from Paris to Italy, where Léopold served as a governor of a province near Naples. When General Hugo took charge of three Spanish provinces, Sophie again joined her husband. Sophie's lover, General Victor Lahorie, her husband's former Commandin Officer, was shot in 1812 by a firing-squad for plotting against Napoleon.

From 1815 to 1818 Hugo spend in the Pension Cordier in Paris, but most of the classes of the school were held at the Collège Louis-le Grand. He began in early adolescence to write verse tragedies and poetry, and translated Virgil. At the age of sixteen he noted: "Many a great poet is often / Nothing but a literary giraffe: / How great he seems in front, / How small he is behind!" With his brothers he founded in 1819 a review, the Conservateur Littéraire. Inspired by the example of the statesman and author François René Chateaubriand, Hugo published his first collection of poems, ODES ET POÉSIES DIVERSES (1822). It gained him a royal pension from Louis XVIII. As a novelist Hugo made his debut with HAN D'ISLANDE (1823), which appeared first anonymously in four pocket-sized volumes. It was translated two years later in English and a Norwegian translation was published in 1831. The style of Sir Walter Scott labelled several of his works, among them BUG-JARGAL (1826).

In 1822 Hugo married Adèle Foucher (d. 1868), who was the daughter of an officer at the ministry of war. His brother Eugéne, who had mental problems, was secretly in love with her and lost his mind on Hugo's wedding day. Engéne spent the rest of his life in an institution. In the 1820s Hugo come in touch with liberal writers, but his political stand wavered from side to side. He wrote royalist odes, cursed the memory of Napoleon, but then started to defend his father's role in Napoleon's victories, and attack the injustices of the monarchist regime. General Hugo died in 1828; at that time Hugo started to call himself a baron.

To sise at six, to dine at ten,
To sup at six, to sleep at ten,
Makes a man live for ten times ten.

(Inscription over the door of Hugo's study)

Hugo's foreword for his play CROMWELL (1827), a manifesto for a new drama, started a debate between French Classicism and Romanticism. However, Hugo was not a rebel, and not directly involved in the campaign against the bourgeois, but he influenced deeply the Romantic movement and the formulation of its values in France. "The Victor I loved is no more," said Alfred de Vigny, "... now he likes to make saucy remarks and is turning into a liberal, which does not suit him..." Hugo gained a wider fame with his play HERNANI (1830), in which two lovers poison each other, and with his famous historical work NOTRE-DAME DE PARIS, which became an instant success. Since its appearance in 1831 the story has became part of the popular culture. The novel, set in 15th century Paris, tells a moving story of a gypsy girl Esmeralda and the deformed, deaf bell-ringer, Quasimodo, who loves her. Esmeralda aroses passion in Claude Frollo, an evil priest, who discovers that she favors Captain Phoebus. Frollo stabs the captain and Esmeralda is accused of the crime. Quasimodo attempts to shelter Esmeralda in the cathedral. Frollo finds her and when Frollo is rejected by Esmeralda, he leaves her to the executioners. In his despair Quasimodo catches the priest, throws him from the cathedral tower, and disappears. Later two skeletons are found in Esmeralda's tomb - that of a hunchback embracing that of a woman.

Où sont-ils, les marins sombrés dans le nuits noires?
O flots, quo vous savez de lugubres histoires!
Flots profonds redoutés des mères à genoux!
Vous vous les racontez en montant les marées,
Et c'est ce qui vous fait ces voix désespérées
Que vous avez le soir quand vous venez vers nous!

(from 'Oceano nox')

In the 1830s Hugo published several volumes of lyric poetry, which were inspired by Juliette Drouet (Julienne-Joséphine Gauvain), an actress with whom Hugo had a liaison until her death in 1882. Adéle had an affair with Hugo's friend Charles-Augustin Sainte-Beuve. "Let us not bury our friendship," Hugo wrote to him, but later described him as a man, who 'lifts his loathsome skirt and says, "Admire me!"' Hugo himself was seen by his fans a Gargantuan, larger-than-life character, and rumors spread that he could eat half an ox at a single sitting, fast for three days, and work non-stop for a week.

Hugo's lyrical style was rich, intense and full of powerful sounds and rhythms, and although it followed the bourgeois popular taste of the period it also had bitter personal tones. Hugo's 'Mme Biard poems' - he had an affair with Léonie d'Aunet (Mme Biard's maiden name) in the 1840s - are intensely sexual. According to Verlaine a typical Hugo love poem was "I like you. You yield to me. I love you. - You resist me. Clear off..."

In his later life Hugo became involved in politics as a supporter of the republican form of government. After three unsuccessful attempts, Hugo was elected in 1841 to the Académie Francaise. This triumph was shadowed by the death of Hugo's daughter Léopoldine. She had married Charles Vacquerie in February 1843, and in September she drowned with her husband. In a poem, 'Tomorrow, At Daybreak', written on the fourth anniversary of her death, Hugo depicted his walk to the place where she was buried: "I shall not look on the gold of evening falling / Nor on the sails descending distant towards Harfleur, / And when I come, shall lay upon your grave / A bouquet of green holly and of flowering briar." It took a decade before Hugo published again books. After he was made a pair de France in 1845, he sat in the Upper Chamber among the lords. He also began to work with a new novel, first titled Jean Tréjean, then Les Misères. Following the 1848 revolution, with the formation of the Second Republic, Hugo was elected to the Constitutional Assembly and to the Legislative Assembly. When workers started to riot, he led soldiers who stormed barricades in brutal assaults.

When the coup d'état by Louis Napoleon (Napoleon III) took place in 1851, Hugo believed his life to be in danger. "Louis-Napoléon is a traitor," he had declared. "He had violated the Constitution!" Hugo fled to Brussels and then to Jersey. When he was expelled from the island, he moved with his family to Guernsey in the English Channel. In a poem, 'Memory of the Night of the Fourth,' focusing on the overthrown of the Second Republic and the death of a young child, killed by bullets, Hugo wrote about the new emperor: "Ah mother, you don't understand politics. / Monsieur Napoleon, that's his real name, / Is poor and a prince; loves palaces; / Likes to have horses, valets, money / For his gaming, his table, his bedroom, / His hunts, and he maintains / Family, church and society, / He wants Saint-Clod, rose-carpeted in summer, So prefects and mayors can respect him. That's why it has to be this way: old grandmothers / With their poor gray fingers shaking with age / Must sew in winding-sheets children of seven." Hugo's partly voluntary exile lasted 20 years. During this time he wrote at Hauteville House some his best works, including LES CHÂTIMENTS (1853) and Les Misérables (1862), an epic story about social injustice. Les Châtiments became one of the most popular forbidden poetry books.

Les Misérables is set in the Parisian underworld. The protagonist, Jean Valjean, is sentenced to prison for 19 years for stealing a loaf of bread. After his release, Valjean plans to rob monseigneur Myriel, a saintlike bishop, but cancels his plan. However, he forfeits his parole by committing a minor crime, and for this crime Valjean is haunted by the police inspector Javert. Valjean eventually reforms and becomes under the name of M. Madeleine a successful businessman, benefactor and mayor of a northern town. To save an innocent man, Valjean gives himself up and is imprisoned in Toulon. He escapes and adopts Cosette, an illegitimate child of a poor woman, Fantine. Cosette grows up and falls in love with Marius, who is wounded during a revolutionary fight. Valjean rescues Marius by means of a flight through the sewers of Paris. Cosette and Marius marries and Valjean reveals his past. - The story has been filmed several times and made into a musical by the composer Claude-Michel Schönberg and the librettist Alain Boublil, opening in 1980 in Paris. The English version was realised in 1985 and the Broadway version followed two years later.

Like other Romantic writers, Hugo was interested in Spiritism, and he experimented with table-tapping. After a number of fruitless efforts, his table gave him the final title of Les Misérables. Among Hugo's most ambitious works was an epic poem, La Fin de Satan, a study of Satan's fall and the history of the universe. Satan is presented more complex character than merely the embodiment of the Evil, but when Milton saw in Paradise Lost in Satan's revolt tragic, cosmic grandeur, Hugo brings forth the horror elements. The poem was never completed.

Although Napoleon III granted in 1859 an amnesty to all political exiles, Hugo did not take the bite. Les Misérables appeared with an international advertising campaign. The book divided critics but masses were enthusiastic. Pope Pius IX added it with Madame Bovary and all the novels of Stendhal and Balzac to the Index of Proscribed Books. Hugo's fleeting affairs with maids and country girls inspired his LES CHANSONS DES RUES ET DES BOIS (1865). "The creaking of a trestle bed / Is one of the sounds of paradise," he wrote. Hugo's daughter Adèle, whose apathy and unsociability caused him much worries, went after Lieutenant Albert Pinson to Halifax, Nova Scotia, where his regiment was stationed, and followed also him to Barbados. LES TRAVAILLEURS DE LA MER (1866), a story of hypocrisy, love, and suicide, became a bestseller and later two films were made of it.

Adèle Hugo's biography of her husband appeared in 1863; she died in 1868. Political upheavals in France and the proclamation of the Third Republic made Hugo return to France. The unpopular Napoleon III fell from power the Republic was proclaimed. In 1870 Hugo witnessed the siege of Paris. "There is only enough sugar in Paris for ten days," he wrote in his diary on 8 October. "Meat rationing began today." During the period of the Paris Commune of 1871, Hugo lived in Brussels, from where he was expelled for sheltering defeated revolutionaries. Hugo's attitude to the Commune was ambivalent: "An admirable thing, stupidly compromised by five or six deplorable ringleaders." After a short time refuge in Luxemburg, he returned to Paris and was elected as a senator of Paris in 1876. Sexually he was still active and his maid, Blanche Lavin, was the constant target of his passions, but not the only one. After an exhaustive period with her, Hugo suffered a mild stroke in June 1878. The infuriated Juliette Drouet, his faithful companion form the 1830s, wrote to her nephew: "You must try to track down the creature [Blanche] who has destroyed my happiness.." Hugo died in Paris on May 22, 1885. He was given a national funeral, attended by two million people, and buried in the Panthéon.

For further reading: Victor Hugo Raconté par un Témoin de sa Vie, avec des Oeuvres Inédites, entre autres un Drame en Trois Actes: Iñez de Castro by Adèle Hugo (1863); Victor Hugo, a Realistic Biography by Matthew Josephson (1942); Olympio: The Life of Victor Hugo by André Maurois (1954 ); Victor Hugo romancier; ou, Les Dessus de l'inconnu by Georges Pironué (1964); Victor Hugo by John P. Houston (1975); Extraordinary House of Victor Hugo in Guernsey by A.D. Chauvel and M. Forestier (1975); Victor Hugo by Joanna Richardson (1976); Victor Hugo and the Visionary Novel by Victor Brombert (1984); Paroles de Hugo by Anne Ubersfeld (1985); The Impresonal Sublime by Suzanne Guerlac (1990); Victor Hugo, ed. by Harold Bloom (1991); "Les Miserables": Conversion, Revolution, Redemption by Kathryn M. Grossman (1996); Victor Hugo: A Biography by Graham Robb (1998); Victor Hugo Encyclopedia by John A. Frey (1998); Victor Hugo and the Romantic Drama by Albert W. Halsall (1998); Victor Hugo. Avant l'exil 1802-1851 by Jean-Marc Hovasse (2002); Victor Hugo, un révolutionnaire by Jean-François Kahn (2002) - Museum: Maison de Victor Hugo, 6 Place des Vosges, the Marais, 75004 - Hugo's house in Paris for 17 years, restored to its original character. - See also: Alfred de Vigny

Selected works:

  • ODES, 1822
  • HAN D'ISLANDE, 1823 - Hans of Iceland / The Demon of the North
  • NOUVELLES ODES, 1824
  • ODES ET BALLADES, 1826
  • BUG-JARGAL, 1826 - The Slave-King
  • CROMWELL, 1827
  • LES ORIENTALES, 1829
  • MARION DE LORME, 1829
  • LE DERNIER JOUR D'UN CONDAMNÉ, 1829 - Last Day of Condemned Man - Kuolemaantuomitun viimeinen päivä
  • HERNANI, 1830
  • LES FEUILLES D'AUTOMME, 1831 - Autumn's Leaves
  • NOTRE-DAME DE PARIS, 1831 - The Hunchback of Notre Dame - Notre-Damen kellonsoittaja - film 1923, dir. by Wallace Worsley, starring Lon Chaney; film 1939, dir. by William Dieterle, starring Charles Lauaghton and Maureen O'Hara; film 1956, dir. by Jean Delannoy, starring Gina Lollobrigida and Anthony Quinn; television film 1982, dir. by Michael Tuchner, starring Anthony Hopkins; animation film (Disney Production); 1996, dir. by Gary Trousdale and Kirk Wise, voices of Tom Hulce, Demi Moore, Kevin Kline; film The Hunchback, 1997, dir. by Peter Medak, starring Salma Hayek, Mandy Patinkin, Richard Harris and Edward Atterton
  • LE ROI S'AMUSE, 1832 - (Verdi's opera Rigoletto is based on this verse drama)
  • LERCRÉCE BORGIA, 1833 - Lucrezia Borgia, suom. Juhani Aho 1907
  • CLAUDEGUEUX,1834
  • LES CHANTS DU CRÉPUSCULE, 1835 - Twilight Songs
  • LES VOIX INTÉRIEURES, 1837 - Inner Voices
  • LE RHIN, LETTRES À UN AMI, 1841 - Excursions Along the Banks of Rhine
  • LES CHÂTIMENTS, 1853 - The Punishments
  • LES CONTEMPLATIONS, 1856
  • LA LÉGENDE DES SIÉCLES I-II, 1859, 1877 - The Legend of Centuries
  • LES MISÉRABLES, 1862 - trans. - Kurjat - Films: 1935, dir. by Richard Boleslawski, starring Fredric March and Charles Laughton; film 1952, dir. by Lewis Milestone, starring Michael Rennie and Debra Paget; film 1952, dir. by Riccardo Freda, starring Gino Cervi and Valentina Cortesa; film 1957, dir. by Jean-Paul Le Chanois, starring Jean Gabin and Daniele Delorme, television film 1978, dir. by Glenn Jordan, starring Richard Jordan, Anthony Perkins, Claude Dauphin; film 1995, dir. by Claude Lelouch, starring Jean-Paul Belmondo and Michael Boujenah; film 1998, dir. by Billie August, starring Liam Neeson, Geoffrey Rush, Uma Thurman - Musical versions: 1980 (Paris) by the composer Claude-Michel Schönberg and the librettist Alain Boublil; 1985 (London) with the Really Useful Company of Andrew Lloyd Webber; New York (1987), with lyrics by Herbert Kretzmer. The New York production won Alain Boublil two Tony Awards.
  • WILLIAM SHAKESPEARE, 1864
  • LES CHANSONS DES RUES ET DES BOIS, 1865
  • LES TRAVAILLEURS DE LA MER, 1866 - The Toilers of the Sea - Meren ahertajat
  • LA VOIX DE GUERNESEY, 1867
  • L'HOMME QUI RIT, 1869 - The Man Who Laughs - Nauruihminen - film 1927, dir. by Paul Leni
  • L'ANNÉE TERRIBLE, 1872- The Terrible Year
  • QUATRE-VINGTTREIZE, 1874 - Ninety-Three - Yhdeksänkymmentäkolme
  • L'ART D'ÊTRE GRANDPÉRE, 1877
  • LA LÉGENDE DES SIÈCLES, 1877
  • HISTOIRE D'UN CRIME, 1877-78
  • LE PAPE, 1878
  • LA PITIÉ SUPRÊME, 1879
  • RELIGIONS ET RELIGION, 1880
  • LES QUATRE VENTS DE L'ESPIRIT, 1881
  • TORQUEMADA, 1882
  • LE THÉÂTRE EN LIBERTÉ, 1886
  • LA FIN DE SATAN, 1886
  • ALPES ET PYRÉNÉES, 1890
  • DIEU, 1891
  • FRANCE ET BELGIQUE, 1892
  • TOUTE LA LYRE, 1888-93
  • ŒUVRES, 1885-97
  • CORRESPONDANCE 1815-82, 1896-98
  • CHOSES VUES, 1887-1900
  • POST-SCRIPTUM DE MA VIE, 1901
  • LETTRES À LA FIANCÉE, 1820-22, 1901
  • LA DERNIÈRE GERBE, 1902
  • ŒUVRES COMPLÈTES, 1904-52
  • POÉSIES COMPLÈTES, 1961
  • ŒUVRES ROMANESQUES, 1962
  • THÉÂTRE, 1963
  • ŒUVRES POÉTIQUES, 1964
  • ŒUVRES POLITIQUES, 1964
  • JOURNAL DE CE QUE J'APPRENDS CHAQUE JOUR, 1965
  • CORRESPONDANCE CROISÉE, 1986 (with Charles Nodier)
  • LETTRES DE VICTOR HUGO À JULIETTE DROUET, LETTRES DE JULIETTE DROUET À VICTOR HUGO, 2001


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