The
King has the peculiar privilege of being exempt from this indignity
(capture, *). Your King is not permitted to move into check, that is,
onto any cell which is guarded by a piece of your opponent. He may not
be moved to a cell adjacent to that on which the rival King is
stationed. If placed in block of cells A, B or C on a vacant board he
may move to any of the eight different cells surrounding him. If placed
on the side of the board he may move to any of five different cells. If
placed in the corners of the board, three cells are at his command.
"The King
never dies"
(Commentaries on the laws of
England)
A
King is usually described as a male sovereign or monarch, who holds by
life tenure the chief authority over a country and people. The King
regards his subjects as his children and admonishes his administrators
to observe gentleness in dealing with them. The King seems to radiate a
powerful authority and a strange intensity of feeling, characteristic of
statuary art. He sits on his throne with his face radiating both
authority and love - a haunting beauty - his majestic presence inspiring
awe and a sense of mystery.
"Punctuality is the politeness of Kings"
One
of the major pieces in the game of Chess moving one cell in any
direction. One of the twelve Chess draught pieces: K1 to K12. The King
is known under different names in differing countries -see below. The
King in the 13th century was allowed to make a leap, but only once in a
game, and from this idea the castling move evolved. You must try to keep
your King safe at all times as the aim of the game is to capture the
enemy King (++CM).
# |
Language |
Piece |
Game
Name |
01 |
English |
King |
Chess |
02 |
French |
Roi |
Les echecs |
03 |
German |
König |
Schachspiel |
04 |
Italian |
Re |
Gli scacchi |
05 |
Spanish |
Rey |
Ajedrez |
06 |
Portuguese |
Rei |
Xadrez |
07 |
Russian |
Korol |
Shahmati |
08 |
Arabic |
Shah |
Ash-shatranj |
09 |
Latin |
Scacus |
Scaci |
“That the King can do no wrong, is a necessary and
fundamental principle of the English constitution”
(Commentaries on the laws of England)
At
the beginning of a game it is best to move His Majesty to the side of
the board by castling. If left in the center he is exposed to assault as
the rest of your pieces are developed. He is strongest in the endgame
when there are few major and/or minor pieces remaining and can help
checkmate the opponent’s King or even win pieces. Your King can only
move one cell per move and so has no attacking power during the early
part of the game.
Lit
De Justice
The
cell on which the King resides (Level-1, $E01). French: the sofa upon
which the King of France sat when holding formal sessions of parliament.
A game of Chess/session. The King plays two parts in the game, while he
is usually passive at first, later he frequently assumes an active role.
In fact, in the endgame the King often has great influence as an active
major piece. In the middle of the board he controls eight cells, all
those in his immediate vicinity, and this is mainly useful in protecting
his own pieces and attacking your opponent’s.
In
the middle game it is above all the passive function of the King that is
predominant. The danger of checkmate not only nearly always prevents him
from taking part in the struggle with the enemy pieces but often even
compels his own pieces to give him care and protection. Cases where the
King supports the other pieces in attack are extremely rare in the
middle game. It is much commoner in the middle game for the King's
qualities to be turned to advantage in defense, in the protection of his
own major and minor pieces.
If
a major piece attacks your King, try to interpose a piece that attacks
the checking piece if possible. Try to check the opposing King and
oblige him to move, thus depriving your adversary’s King of the right to
castle (this is considered good play). Sometimes you can give a sequence
of checks or even sacrifice a major piece, to force the King into the
middle of B$D (rank-8), where the King can be attacked by your other
pieces. In the endgame phase your King should be busily engaged and used
to compensate for his previous inactivity. The result of a game may
depend on your skill in managing the King.
“Soon
there will be only five Kings left:
the King of England, the King of spades, the King of clubs,
the King of hearts and the King of diamonds”.
During
the Middle Ages the word ‘scacus’ was used for ‘King’ but, during later
periods scacus was used for any of the Chess pieces and its plural
‘scaci’ was used to denote the game of traditional Chess itself. The
French retain the plural form ‘les echecs’, and the Italians ‘gli
scacchi’. In Ancient Mesopotamia kingship was said to have come from
heaven - the King's position was given by the gods and his principal
duty is to serve them. As mediators between gods and people King's have
an important place and many religious obligations, including the
building and maintenance of temples.
Kings
are leaders of the national army and shepherds of their peoples and also
connected with justice, protection of the poor, widows and orphans. In
ancient Israel the sacred character of the monarchy is shown by the fact
that monarchs were anointed by YHWH, usually though the medium of a
prophet or priest (1-Samuel 10:1). In Israel they were not divine but
ruled as YHWH’s servant. The biblical model of monarchy influenced the
medieval Christian concept of kingship where the King was held to rule
by ‘divine right’.
The
King was originally called ‘Rey’ and his movement very restricted (not
being allowed to move at all except for the necessity of extricating
himself from +CH). In the 13th century he was allowed to move one cell
forward but not permitted to move or capture diagonally. Eventually he
was allowed to move and capture one cell in any direction which is the
way he moves today. The King's range has never extended beyond one
cell.
King:
Bible: the word derives from a root meaning to counsel or advise, ‘wise
men’. God is called King of Israel, Psalms. Jesus is referred to as King
of the Kingdom in the book of Revelation. In civil matters the King is
the final court of appeal and sometimes the head of religious orders.
King David and King Solomon appointed and dismissed High Priests.
Their
officials were the commander-in-chief, captain of the bodyguard, the
Kings remembrancer or recorder (Prime Minister), scribe (Secretary of
State), the Chamberlain of the household and other minor officials. Magi
in the plural: ‘magus’ means ‘wise men.’ King or emperor and often
thought of as the embodiment of God. In alchemy, the prima materia.
Kingfisher: symbol of marital happiness when seen flying in pairs.
King's daughter or princess: symbol of the goal which the hero must
reach. King's son or prince: the shining hero. King's path (straight).
Melchizedek:
King of Salem and Priest of God most High (friend of Abraham). The
Messiah combined the offices of King and High Priest. Messiah =
anointed. In Jewish expectation the Messiah is viewed as God’s
instrument (not a divine figure). Zedek is the Hebrew name for Jupiter
and means ‘justice’. It is also the root name for the Messiah. Zadik
means ‘the just one’.
Aztecs:
appointed a youth King for a year, then tore out his heart.
Irish
myth: Kings and heroes are bound by contradictory ‘geasa’ (plural
‘geis’), or magical prohibitions. To obey one ‘geis’ means to disobey
another, leading to fated death.
Stag-King:
also known as the ‘horned god’, ‘green-man’, alias Cernunnos. The
tradition of a man wearing stag-skins being chased, killed and eaten
(the hunter becoming the hunted) dates back to at least 20,000 BC, as
indicated by Paleolithic cave-painting at Altamira in Spain and in the
French Ariege.
Henry-VII:
first Tudor King of England (1485-1509) justified his seizure of the
throne by claiming descent from King Arthur. Naming his first son
Arthur, he damned his predecessor, Richard-III, as a hunchbacked tyrant
who had murdered the two young sons in the Tower.
Geoffrey
of Monmouth: Fabulist: euphemerised the Aeneas myth and claimed, in ‘The
History of the Kings of Britain’, that the Britons were descended from
Brutus, the great - grandson of Aeneas.
China:
Hsi Peh: ‘Chief of the West’ also known as ‘The Literary King’.
.
Alain
le Gros: also known as the fisher King.
Seelie-Court:
The Blessed Court of the Fairies and the Aes Sidhe of Ireland.
.
Wren:
The King of the birds. Kingfisher: also known as the Halcyon (Halcyon
Days).
King's
Highway: Situated in the hills of Jordan.
Egypt:
Valley of the Kings.
Israel:
for a time the Israelites were ruled by judges - then they asked for a
King.
Die
Fledermaus: opera by Johan Strauss. Comedy, premiered in Vienna in 1874.
The final scene sees the company reconciled as friends, singing the
praises of King Champagne.
I
Samuel: 10:24 - ‘God save the King’.
‘God
save our gracious King! Long live our noble King’ (attributed).
.
Erasmus:
“Scitum est inter caecos luscum regnare posse”.
“It
is well known, that among the blind the one-eyed man is King”.
.
Plato:
Every King springs from a race of slaves, and every slave has had Kings
among his ancestors.
Shelley:
My name is Ozymandias, King of Kings: Look on my works, ye Mighty, and
despair! - Ozymandias.
Wesley:
Hark! The herald angels sing, Glory to the new born King.
.
King
Cole: Legendary King. Colchester is named in his honor.
The
Dolphin is called the ‘King of Fishes’ and the ‘Arrow of the Sea’.
.
King
of Misrule: mediaeval and Tudor times (director of horseplay and
festivities) at Christmas. A King of Misrule was appointed at the royal
court and at Cambridge and Oxford.
A
King Log: a King who rules in peace and quietness (never makes his power
felt).
Pleionosis:
exaggeration of one’s own importance (Ozymandia syndrome). Universal to
humankind and responsible for titles such as King of Kings, Grand
Imperial Wizard, His Royal Highness, the Right Honorable, Learned
Gentlemen, Esquire etc.
Shakespeare,
Hamlet: “I could be bounded in a nutshell and count myself a King of
infinite space”.
Dey:
titular appellation of the commanding officer of the Janissaries of
Algiers and later the sole ruler (King). Governor, pasha, maternal
uncle.
Crocus:
from the saffron species the clothes of gods and Kings are made - being
‘gold - yellow’ - symbol of light and majesty.
Jewels:
symbol of earthly stars/starlets and showgirls etc. Kings and Queens
crowns, the breastplate of high priests, fairy tale castles and Holy
Jerusalem are encrusted with many types of jewels.
In
old India, the king in Chess was called “k’sh”, and that he connects the
word’s meaning to “Kush”. Also, the Indians called the squares of the
Chessboard “k’sh-tagara”, which means granary [king’s granary?], or
“fertility squares” (connection with fertility and especially with
Venus, in all of her various forms). The Mayan name for our sun is
Kinich Ahau “k’sh” = “kini’ch”. The Mayan names for the pieces are given
below: (from Goddess web page)
Mayan piece names |
King |
Ahau |
Yellow Sun |
Queen |
Lamat |
Yellow Star |
Warrior |
Cib |
Yellow Warrior |
Counselor |
Ix |
White Wizard |
Pawn |
Eb |
Yellow Human |
Rook |
Ben |
Red Skywalker |
Knight |
Akbal |
Blue Night |
Bishop |
Kan |
Yellow Seed |
You
are not permitted to commit suicide in Chess: your King must get out of
check when your opponent has designs on the King's life. It is customary
in a social setting to announce check, but if you do not do so, the
check is still ‘on’ just the same, and your opponent must extricate
him/herself immediately. There are three possible ways of getting out of
check:
01 Capturing the checking piece.
02 Moving your King to a cell where he is no longer in check.
03 Interposing a piece between the King and the checking piece:
an interposition.
(The third scenario is not available when a Knight
checks the King.)
.
If
none of the above are available, it is checkmate, which the player
announces (avoiding a triumphant tone). This ends the game. A King may
never move into check. A King can never move into a cell next to the
enemy King. If a King is left in check for even one move, that move and
all subsequent moves are void. If the previous position cannot be
restored, the whole game is replayed (this highlights the point of
making an accurate record of the moves being made during a game).
King
and his court: the dominant ruling power in consciousness whether
individual or communal. The final arbiter of values within. The ritual
renewal of the King, either by replacement (originally with the
sacrifice of the old King) or regeneration, gave rise to much mythology,
which provided the ritual words for the occasion. The symbolism around
the King remains valid whether an actual King is involved (representing
his people) or the myth survived outside its context and was presented
as fairy-tales.
The
hero or sun King. The weak, feeble King, often with a wicked vizer or
prime minister in control. Often the King is in need of renewal. Like
Kings, dominant attitudes wear out, get dry and sterile. They become too
abstract, meaningless and ineffective, and lose their emotional base.
They fail to move. Whether mythical or real, the King may combine the
qualities of Hero and Wise Old Man eg, King Arthur, Charlemagne, and
perhaps Barbarossa. But of course somebody who is not a King can
symbolize this too, such as Sophocles, turning from Generalissimo into
poet/playright.
The
Court: whether in reality, myth, drama or fairy-tale. Moses was rescued
from the bulrushes by Pharaoh’s daughter and brought up in the court.
Caerleon: traditional
residence of King Arthur, surrounded by hundreds of knights, 12 of which
became the knights of the Round Table.
The
City of Legions: where King Arthur held his court.
Socman:
the grant of rights of ‘Soc and Sac’ gave feudal authority in the Middle
Ages to hold a court under the King.
The
Kings of Sumer and Akkad were masters of the four quarters and at the
Heb Sed festival in Egypt the King climbed a four-sided platform, with
four stairways and also faced the four directions. As representative of
the people, he was responsible for holding together the different
ingredients in the fourfold structure of life, whether in the psyche,
the community or the cosmos. He is raised on a throne between heaven and
earth, holding the orb of the earth, in a jeweled robe that represents
the starry night, with the sun as his crown.
The
individual’s life was projected on to the King. S/he identified with the
King. The whole nation centered its life in the King, from whence life
flowed back into man, animal and plant. The King was the focal point for
the work and genius of the whole nation. His power to rule depended
entirely on the people’s consent to be ruled.
King/Lion:
power. The carnival King usually a criminal, given one day’s rule. This
is the tradition of amnesty for criminals. Usurpers to the royal throne
or bed - the King's mistresses especially if scheming. The wise Bishop
or scheming prelate. Chancellor/Dark Vizer. The fool.
In
Alchemy: the King was the human personification of the work, the process
of transformation, in four main stages, which were the equivalent of
transforming base matter into gold. The lion is called the King of the
beasts. It symbolizes strength and power.
Film:
The King and I: 1956 musical starring Yul Brynner, Deborah Kerr, Rita
Moreno, Martin Benson. The charismatic King of Siam falls for his
children’s English nanny. Brynner won an Oscar for his performance in
this entertaining adaptation of the Rodgers and Hammerstein stage hit
musical. In 1862 the powerful and enlightened King Mongkut of Siam asked
Mrs. Leonowens to become the governess to his children. This film tells
the story of Siam, a country that knew little of European influence and
where the King's power was absolute. However, Mrs. Leonowens was
not afraid of him and often argued with him when nobody else dared
approach him.
# |
Year |
Film |
01 |
1927 |
The King of
Kings (Warner) |
02 |
1927 |
King of the
Herd |
03 |
1928 |
King Cowboy |
04 |
1930 |
King of Jazz |
05 |
1931 |
King of the
Wild |
06 |
1931 |
The King of
the Wild Horses |
07 |
1933 |
King Kong |
08 |
1936 |
King of the
Damned |
09 |
1936 |
The King Steps
Out |
10 |
1937 |
King Solomon's
Mines |
11 |
1942 |
King Arthur was
a gentleman |
12 |
1942 |
King of the
Mounties |
13 |
1949 |
King of the
Rocket Men |
14 |
1952 |
King of the
Congo |
15 |
1953 |
King Lear |
16 |
1954 |
King of the
Coral Sea |
17 |
1954 |
King Richard
and the Crusaders |
18 |
1955 |
King of the
Carnival |
19 |
1956 |
The Ten
Commandments. (Cecil B De Mille) Epic |
20 |
1956 |
The King and
four Queens |
21 |
1956 |
The King and I |
22 |
1957 |
A King in New
York |
23 |
1958 |
King Creole |
24 |
1959 |
Ben Hur |
25 |
1961 |
King of Kings |
26 |
1963 |
Kings of the
Sun |
27 |
1964 |
King and
country |
28 |
1964 |
The Gospel
According to St Matthew. |
29 |
1965 |
The Greatest
Story Ever Told |
30 |
1965 |
King Rat |
31 |
1966 |
King of
Hearts/Le Roi de Coeur |
32 |
1970 |
King Lear II |
33 |
1972 |
The King of
Marvin Gardens |
34 |
1972 |
King Boxer |
35 |
1973 |
Jesus Christ
Superstar |
36 |
1976 |
Kings of the
Road |
37 |
1976 |
King Kong II |
38 |
1977 |
Jesus of
Nazareth |
39 |
1980 |
The Kingdom of
Diamonds |
40 |
1988 |
The Last
Temptation of Christ |
Alexander,
King of Macedonia: he had two objectives, the wish to conquer the world
and to amass all knowledge. He had the ability to reorganize or redefine
the parameters of a problem so that he could personally solve it.
Shakespeare:
‘Time’s glory is to calm contending Kings, to unmask falsehood, and
bring truth to light’. In ancient times Kings were buried with their
wives, slaves, horses and chariots.
King
James Bible: English version of the Bible prepared under James-I and
published in 1611.
America:
in the American Congress the House Speaker is known as the ‘King of the
Hill’. Wen Wang (China) 1231-1135 BC, ‘The Literary King’ who is
traditionally regarded as being responsible for the diagrams of the
I-Ching or Book of Changes.
Lludd
(Welsh): King of Britain who rebuilt London Town, which is named after
him.
‘King of Rock ‘n’ Roll’ 1935-1977:
Elvis Presley, born January 8th 1935 to Vernon and Gladys Presley, in
a two-room railroad shack in the Mississippi town of East Tupelo.
Generally perceived as being a great creative artist who made a
significant contribution both through his music and through the symbol
that he became. Many tourists are drawn to his resting place in the
gardens of his Memphis mansion, Gracelands each year. Died aged 42
years. His memorabilia have fetched enormous sums - jumpsuit ($100,000),
black plastic comb ($1,000), Jailhouse rock guitar ($31,050). He made a
total of 33 films.
Historical notes
The
King was a piece that already appeared in the first variant of Chess:
Chaturanga. Its movement nowadays is still the same as it was about one
and a half millenniums ago, except for some fine details: castling did
not originally exist in the form it is known now. For instance, in the
middle ages, sometimes the King could make a ‘Kings leap’, which did not
involve a Rook.
In
antiquity, the King was called ‘Shah’ (Arabic for King). The term
‘checkmate’ comes from shah mat (Arabic for ‘the king is dead’). The
King is referred to as ‘General’ in Xiangqi, or as ‘Jewelled General’ in
Shogi.
Movement and capture
Kings
move (with or without taking) one square in an arbitrary
direction. Kings are royal: they may not be moved to a square attacked
by a piece of the opponent. When they are attacked by a piece of the
opponent, it is called ‘check’, and when in a check that cannot be
removed, they are mated, and the game is lost for their owner.
|
|
|
|
|
|
This diagram shows you how the King
moves. It moves just one square at a time, in any direction:
up,
down, left, right or diagonally.
|
|
|
The King can capture an enemy piece
on the next square. Here, the King captures the Pawn
on e4 and is removed from the board.
|
|
|
|
|
|
|
|
On this diagram, the
white King
cannot move next to the black King.
The two
Kings can
never stand
close next to each
other!
|
|
|
The King can't
stay on or move to a square where it can be taken by an enemy
piece such as the three
squares guarded by the Rook.
|
|
|
|
|
|
|
|
In this position, the King cannot
move to a square where it could be captured or attacked by
the Bishop or any other
enemy piece. |
|
|
In this
situation, the King can only move to one square: e5. On every
other square, it could be taken by one of the black enemy
pieces. |
|
|
Notes: for more
information on the usual Chess King, see Chesmayne Illustrated rules of
Chess or the FIDE laws of Chess.
In
Chaturanga the King moves as usual King, but additionally has the right
to make one Knight-move during the game, provided that he has not been
checked before he makes his Knight-move. Castling doesn’t exist
(invented in the middle ages).
In
Shatranj the King moves as usual King, but may not castle.
In
Xiangqi the King may not leave the ‘palace’ (the central 3 x 3 area),
and also may not move into the same file (column) as the opposing King
(unless there are interposing pieces).
King
graphics
|
K
|
|
|
Symbol |
King figurines |
Xiangqi figurines |
|
|
Staunton King piece |
Shogi figurine |
Graphics of Staunton King pieces |
|