The Meaning Of Time As Depicted In Waiting For Godot
by Jeffrey Philip Bigham, Princeton University
Several scenes in Waiting For Godot depicted dialogue between
Vladimir and Estragon that employed questionable logic. Although these
exchanges may have been included because they were amusing and contributed
to the comedy of the play, the underlying reason was that they added to
the meaning of the play as a whole. By analyzing one of these illogical
portions, a deeper understanding of the main themes can be obtained.
One such logical problem was Vladimir and Estragon’s faulty memory.
Towards the beginning of the play, Vladimir and Estragon argued about
whether or not they were waiting for Godot at the correct location and
argued about what they had done yesterday. While Estragon insisted that
they had waited in the same place the day before, he said that he didn’t
recognize it. At first Vladimir disagreed with him, but even he later
expressed some doubt when he said to Estragon, “But you said we were here
yesterday.” (8-9) This situation presents a problem in logic, for why
would they not remember what they did the day before and, if they did wait
in the same place yesterday, why would they not recognize the landscape?
The answer, beyond a simple explanation citing their faulty memories, is
that for Vladimir and Estragon it did not really matter what they had done
the day before or where they were on that day. Their lives would have
been the same even if this day was somehow skipped, a fact that their
deficient memories support.
Another example of this faulty memory occurred when Vladimir mentioned
the
time that he and Estragon had spent in Macon country picking grapes.
Estragon did not remember this period, and even Vladimir has trouble
remembering details of their time there, such as the name of the man for
whom they worked. (67-68) Both of these events seem illogical considering
that they probably would have spent a great deal of time there because it
was their place of employment. Again it seems as though Vladimir and
Estragon’s lives would have changed little minus this extensive period.
The repetition of the play provides further evidence of the
unimportance
of time for Vladimir and Estragon. Both acts are identical excluding a
few small deviations. With one day after another being basically the same
during their wait, it is no wonder that Vladimir and Estragon had trouble
telling one day from the next and that they had trouble remembering what
happened during each day. Because of this lack of significant change,
time had no meaning for them, and therein lies the larger theme that these
scenes help to convey. If the day before was meaningless and if most of
the periods before this were meaningless, time itself was meaningless for
them as well. As Estragon said at the beginning of the second day in
reference to that day, “For me it’s over and done with, no matter what
happens,” (64) which suggested his own realization of the meaninglessness
of that day and of time itself.
By extension this can be made to apply to all of humankind as well.
Life
is a lengthy period of waiting, during which the passage of time has
little importance. Each day Vladimir and Estragon waited for Godot, and,
if he didn’t come that day they would come back tomorrow. (9) The amount
of time that they had already spent doing this and the amount of time that
would do so in the future is unknown, but neither is important because
time was meaningless for them. Each day they would continue to wait for
the unknown Godot until he either came or time ended through their death.
If a literal interpretation of the text is employed, one might wonder
why
the pair did not do something to end their waiting, such as searching for
Godot, but, if one takes a more metaphoric look at the play, Godot becomes
something for which the pair may have to wait. Because it was never
revealed conclusively who or what Godot was, this unknown force can be
seen to metaphorically represent that for which the audience is waiting in
their own lives. The audience relates to these protagonists because
waiting is common for all. While the event for which each person is
waiting may change, the waiting continues until each individual’s death.
Two examples of something that waiting for Godot may represent are waiting
for God or waiting for death. Indeed, several times throughout the play
Vladimir and Estragon discuss hanging themselves, an action that would
have ended their continual waiting, but they found themselves unable to do
it. (12) No acceptable path existed for them to end their waiting and,
therefore, they were forced to wait. Through this, the play showed that
there are things for which one must wait and that no amount of initiative
will end this waiting.
The play emphasized the common nature of waiting among all people,
and,
therefore, it suggested that the meaningless of time is universal. If one
is always waiting for something to happen, the periods during that wait
end up being meaningless, and, if the event finally does happen, the
process repeats itself. If that something never occurs all time becomes a
meaningless wait. In any case, one is always caught in a period in which
time has no purpose and waiting is the only goal. This idea was
demonstrated well in Waiting For Godot, for throughout the play the
protagonists waited and nothing memorable seemed to happen. From this one
can surmise that time has no meaning.
The overall theme of the meaninglessness of time presented itself
many times throughout the play, often during what seemed to be silly
arguments between Vladimir and Estragon. Only by looking at the deeper
meaning of these often illogical conversations and by combining them with
other supporting details of the play can one discover how these logic
problems relate to the whole. In this case they are used to present the
themes, one of which was the idea of arbitrary and meaningless time.
Source: http://www.jeffreybigham.com/papers/godot.html
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