New York: Garland Publishing, 1999.
ISBN: 0-8153-2527-4
Lois Oppenheim (ed.)
Samuel Beckett and the Arts:
Music, Visual Arts, and Non-Print Media
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New York: Garland Publishing, 1999.
ISBN: 0-8153-2527-4
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Table of contents
* Series Editor's Foreword, DANIEL ALBRIGHT * Editor's Introduction, LOIS OPPENHEIM Part I 1: Words and Music: Situating Beckett, EARL KIM 2: Samuel Beckett and the Arts of Time: Painting, Music, Narrative, H. PORTER ABBOTT 3: Beckett as Marsyas, DANIEL ALBRIGHT 4: Beckett's Music, CHARLES KRANCE 5: The Word Man and the Note Man: Morton Feldman and Beckett's Virtual Music, GUY DEBROCK 6: Reflections on Beckett and Music, With A Case Study: Paul Rhys's Not I, MARY BRYDEN 7: Sceptical Pictures in the Music of Company, DANIEL HERWITZ 8: A Statistical Analysis of Beckett's Musical Metaphors, MONCEF BELHADJALI and EDWARD J. LUSK 9: Interview With Philip Glass, NICHOLAS ZURBRUGG Part II 10: Resonant Images: Beckett and German Expressionism, JESSICA PRINZ 11: Six Degrees of Separation: Beckett and the Livre d'Artiste, BREON MITCHELL 12: Nor Do My Doodles More Sagaciously: Beckett Illustrating Watt, DAVID HAYMAN 13: The Becketts of Mabou Mines, RUBY COHN 14: Interview With Maguy Marin, LOIS OPPENHEIM Part III 15: The Silence That Is Not Silence: Acoustic Art in Samuel Beckett's Embers, MARJORIE PERLOFF 16: Working Wireless: Beckett's Radio Writing, STANLEY RICHARDSON and JANE ALISON HALE 17: All That Fall and Radio Language, CLAS ZILLIACUS 18: Mediatating On: Beckett, Embers, and Radio Theory, EVERETT C. FROST 19: Unswamping a Backwater: On Samuel Beckett's Film, SIDNEY FESHBACH 20: Continued Perception: Chaos Theory, The Camera, and Samuel Beckett's Film and Television Work, JOHN L. KUNDERT-GIBBS |
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