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The French Defense

by David Surratt

Introduction: Part I

"Vive la Defense Francaise!"

1.e4 e6








I've been playing the French Defense for more than twenty years now. What attracted me originally was the solid nature of the defense - at the time I was getting crushed quite regularly, and I was searching for something which was ultra-solid.  I wanted a defense that I could survive into the middlegame with, and have at least a fighting chance with too! The French is an ideal choice of opening for the defensive-minded player, affording many opportunities for strong defense, followed by counter-attack.

Since my rather humble beginnings, I've developed a real love affair with the French; she can be a demanding mistress, but is very solid, although there are times when it gets wild & wooly!  Here's a miniature by Paul Morphy as an example:

Mc Connell, J - Morphy, P [C02] New Orleans, 1850
[click here for an interactive board]
1.e4 e6 2.d4 d5 3.e5 c5 4.c3 Nc6 5.f4 Qb6 6.Nf3 Bd7 7.a3 Nh6 8.b4 cxd4 9.cxd4 Rc8 10.Bb2 Nf5 11.Qd3 Bxb4+ 12.axb4 Nxb4 13.Qd2 Rc2 14.Qd1 Ne3 0–1

In this series of articles, I'll try to give the ideas and analysis for all of the main lines in the French, as well as quick looks at less popular variations.  I'll also provide some downloads of game collections with the French, all from top-flight International competition, and links to other online resources on the French.  My goal is to provide enough of an overview that the reader will fall in love with the French as I have, and seek more detailed instruction and information.  Quoting Lev Psakhis, "The French is like a proud woman who does not give her heart away easily.  In order to master this difficult opening, it is not enough to know a few variations.  You have to put your 'heart and soul' into it, you have to love it, and only in this way will you understand its mysteries."  Amen.

The French Defense derives it's name from a correspondence game played between London and Paris (1834-1836), won by the Parisians of course.  Thanks to John Saunders (www.bcmchess.co.uk) for providing the score of this game:

CITY London - CITY Paris [C01]  corr, 1834
[click here for an interactive board]
1 e4 e6 2 d4 d5 3 exd5 exd5 4 Nf3 Nf6 5 Bd3 c5 6 Qe2+ Be7 7 dxc5 0-0 8 Be3 Re8 9 Bb5 Nc6 10 Nd4 Bxc5 11 Bxc6 bxc6 12 c3 Bxd4 13 cxd4 c5 14 Qd3 Qb6 15 0-0 Ba6 16 Qb3 Qxb3 17 axb3 Bxf1 18 Kxf1 Ng4 19 dxc5 Nxe3+ 20 fxe3 Rxe3 21Nd2 Rae8 22 b4 Rd3 23 Rxa7 Rxd2 24 b5 Rxb2 25 b6 d4 26 b7 d3 27 Ra8 Kf8 0-1  Although he reports there is another version of this game which continues 28 c6 d2 29 Rxe8+ Kxe8 30 Ke2 Kd8 0-1

The Russian Master, Jaenisch, analyzed the opening in detail in 1842, and it was examined as long ago as 1497 by Lucena.  Here's one of the earliest known games involving the French Defense, from 1620:

Greco,G - NN [C00] Europe 1620
[click here for an interactive board]
1.e4 e6 2.d4 Nf6 3.Bd3 Nc6 4.Nf3 Be7 5.h4 0-0 6.e5 Nd5 7.Bxh7+ Kxh7 8.Ng5+ Bxg5 9.hxg5+ Kg6 10.Qh5+ Kf5 11.Qh7+ g6 12.Qh3+ Ke4 13.Qd3# 1-0

The French was introduced into master practice in the early 1800s by (who else?) a Frenchman, La Bourdonnais. I. A. Horowitz also credits Geza Maroczy with helping to popularize its use beginning around the end of the 19th century.  No less an authority than former World Champion Mikhail Botvinnik however, opines that the real history of the French Defense began with Aaron Nimzowitsch, who contributed many new ideas, and for whom a major variation of the French Defense was named. Many World Champions, as well as other strong GMs, have wielded the French as a weapon during their careers, including Karpov, Botvinnik, Korchnoi, Smyslov, Bronstein, Petrosian, Uhlmann, Capablanca, Reti, Grunfeld, and Alekhine.  More recently, the French has been essayed by the likes of Anand, Khalifman, Short, Bareev, Van Wely, and Ivanchuk, to name just a few.  The French even has ecclesiastical approval:

Kapfer, T - Pope John Paul II [C19]  Krakow Krakow, 1938
[click here for an interactive board]
1.e4 e6 2.d4 d5 3.Nc3 Bb4 4.e5 c5 5.a3 Bxc3+ 6.bxc3 Ne7 7.Nf3 Bd7 8.dxc5 Qa5 9.Bd2 Ba4 10.Bd3 Nd7 11.0-0 Nxc5 12.Qe2 Nxd3 13.cxd3 Qa6 14.Rfc1 0-0 15.c4 dxc4 16.dxc4 h6 17.Bb4 Rfe8 18.Rc3 Rad8 19.Qa2 Nc8 20.Re1 Rd7 21.Nd2 Bc6 22.Rce3 Red8 23.Ne4 Bxe4 24.Rxe4 Qb6 25.c5 Qc7 26.a4 a5 27.Ba3 Rd2 28.Qc4 R8d5 29.f4 Ne7 30.h3 Nf5 31.g4 Nd4 32.R1e3 Nc2 33.Rc3 Rd1+ 34.Kg2 R5d2+ 35.Kg3 Rg1+ 36.Kf3 Ne1+ 0-1

In Part II of this introduction we'll look at some of the basic ideas behind the French, and later at some of the options for White on move two, as well as possibilities for transposition for Black.  In other installments of this series we'll cover the principal variations, including the Advance Variation, the Exchange Variation, the Classical Variation, the Winawer (Nimzowitsch), Tarrasch, and MacCutcheon variations.  Don't be intimidated by the thicket of variations though; that's evidence only of the wide scope for imagination and investigation available to French aficionados.  Many of the themes reoccur from variation to variation, and understanding them will aid immensely in playing not just the French Defense, but all opening systems in general.  Now, on to Part II!

Next: Introduction - Part II

 

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