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Tiger’s Modern
Reviewed by Rick Kennedy
 

by Tiger Hillarp Persson

Quality Chessbooks (2005)

ISBN:

Softcover, 216 pages

figurine algebraic notation

In my early chess years, a Fred Reinfeld book gave the first moves of a game  1.d4 Nf6 2.c4 g6 3.Nc3 Bg7 4.e4 d6 5.f4 and then praised Black’s “fighting defense.”  I remember laughing out loud: White has a four-to-nothing advantage in pawns-in-the-center, and Black is “fighting”?  It’s easy to see that my understanding of development and King safety was lacking at the time, and I showed no awareness of a hypermodern approach to opening play.  Nevertheless, a devotion to large pawn centers carried me safely through most of my junior high school games – except when my pal Ricky Manganella’s single- or double-fianchetto defenses would carve them up like so many little turkeys.  This was a decade before people began talking about and playing the “modern defense” 1.e4 g6 2.d4 Bg7, and I understood none of it.

Since then Raymond Keene and George Botterill have written their ground-breaking 1972 The Modern Defence, (available in reprint from Hardinge Simpole Chess Classics, or try searching used bookstores or the internet) and while not everyone is currently a True Believer in “1 …P-KN3: A Universal Panacea to 1 P-K4, P-Q4 or 1 P-QB4” most chess players are familiar with the opening.  Other treatments have come, with several more recent being Modern Defence by Speelman and McDonald (2000), and Starting Out The Pirc/Modern by Gallagher (2003) but I think the best of the bunch – in terms of enthusiasm, new grandmaster analysis, sparkling play and good old delightful-to-read text – has got to be Tiger Hillarp Persson’s Tiger’s Modern.

The Grandmaster from Sweden likes to play 1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.Be3 a6!? against masters and GMs – in fact, the first section of Tiger’s Modern, “Variations where Black plays 4…a6” makes up more than half the book.  You can see that a rough-and-tumble affair is guaranteed, and Hillarp Persson believes that those who follow his lead will have a double advantage, as there is not much available on the variation, and what can be found (before this book) is often wrong.

Starting with an Introduction (“Stop caressing that e-pawn or I’ll throw you out of this chapter!”) the author lays out the defense’s main ideas, gives some rules of thumb and makes his case for both playing the Modern Defence and for playing …a6.  He is as committed and as fervent as Polugaevsky was to his own variation in Grandmaster Preparation (1981), and he does not sugar-coat the task or make overblown promises like from 1…g6 on until mate!

Playing these lines is a constant struggle.  Occasionally I wake up thinking “it’s crap – I must find something else”, but then, a few mornings later (after some hard work) I wake up thinking “It’s alive!  It’s a miracle!” and so it goes on.  Don’t let the first of these mornings scare you.  If you are not too lazy the other kind of morning is waiting around the corner.  As Shaw puts it: “…all progress depends on the unreasonable man.”

Chapter One dives right into the Austrian Attack, “by far the most brutal way to meet the Modern.”  After 1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.f4 a6  there are 15 games (2/3 by the author) with deep explanations about what was going on (or what should have been going on) in the opening and middle game.  Across the 35 pages, Black “defends successfully” although several lines seem to lead to even or unclear positions – perhaps the more knowledgeable player, the one more familiar with the pawn structure, tactics and strategies of these lines will have an edge.  An important note: Hillarp Persson is not afraid to suggest improvements for White’s play, as well.

The next two chapters (about 40 pages) focus on the “Flexible Dragon” formation 1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.Be3 a6:

With pawns on g6, d6 and a6 the structure resembles the back of a dragon and the g7-bishop is preparing to breathe fire on the d4-pawn.  Black in tends to continue with b5, Nd7 and c7-c5, exchanging the d4-pawn for Black’s c-pawn and thus reaching a Sicilian Dragon structure.

Again the games are complex (9 of 13 by the author) – at one point in Shabalov - Benjamin, Connecticut 2000, there is the note “I believe Shabalov was happy, now that both sides have pressed the chaos button.  However, objectively Black should be better.” – but the defender (better: counter-attacker) always has play.

Chapter Four covers the Hippopotamus – in enough detail and with enough thought that I would recommend Tiger’s Modern to anyone who plays that opening for those 26 pages alone!  The author addresses an idea that has been attached to both the Modern and the Hippo: it is not as necessary to memorize reams of opening analysis as it is to understand basic setups and play.  As a snarky British Chess Magazine reviewer once opined:

The Modern Defence is quite hard to write an opening book about, both because it is so flexible and also because it is difficult to hold the interest of the typically lazy people who play the Modern Defence

Hillarp Persson takes a more positive slant (3 of 10 games in the chapter are his):

I do not have the faintest idea what “theory” says about this position [after 1.e4 d6 2.d4 g6 3.Nc3 Bg7 4.Nf3 a6 5.a4 b6 6.bc4 e6 7.0-0 Nd7 8.Be3 Ne7 9.Qd2 h6] or if indeed there is such a thing as theory here.  In my case, I have played the line for ten years without knowing a single prepared line. Nor do you have to learn any if you know the ideas.

(As an aside: somewhere, Pafu, author of The Beginner’s Game, must be smiling.)

Chapter Five, the Classical Variation, starts with 1.e4 g6 2.d4 Bg7 3.Nf3 d6 4.Nc3, when 4…Nf6 would be the Pirc, but Tiger’s Modern has 4…a6 and then 5.Be2, which is met by either 5…b5 or 5…e6.  Given thirteen pages and four games, the Classical does not worry Hillarp Persson.  An interesting twist is that White can out-wait Black with 4.Be2!? or 4.h3!? when the author suggests plunging into the Pirc with 4…Nf6 after all.  He describes the first situation as leading to “a rather toothless variation” for White, and the second as giving Black the chance for a properly timed …a6 after all.

Chapter Six features 1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.Bg5 a6, which is covered in seven pages and where the author believes Black, is fine.  White clearly can make things difficult with 5.Bc4!?, though, and even though there is a suggestion given for counter play, Black’s subsequent arrival at an “unclear” position seems a success mostly because he’s bypassed some rather bad ones.  Still, that is the nature of sharp openings in general, especially when analysis is presented in a balanced fashion, rather than the ever-popular Play X And Win! style.  Of course, transposition to the Hippo along the way is another possibility.

The seventh chapter is the first one featuring lines where Black does not play …a6.  It is labeled the “Mad Dog”, where White plays 4.Bc4 after either 3.Nc3 or 3.Nf3.

An evaluation in one of the games seems to describe Black’s fate in general: “you should achieve a very complicate game with mutual chances.”  Here is a slice of the game Hoffman – Jansa, Muenster 1992, to give you a taste of some of the possible play, as well as Hillarp Persson’s in-depth treatment:

Hoffman – Jansa
Muenster 1992

1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.Bc4 Nf6! 5.Qe3 Nc6 6.e5 Ng4 7.e6

The theoretical reputation of this move is rather shaky. Still, surprisingly many play it and very few of those who encounter it make use of the theoretical “refutation” 7…Nxd4.

7…f5!

As said, the main line is 7…Ncd4, when play assumes a forced character.  In most books on the Modern/Pirc this is judged to be somewhat better for Black, but I believe there is something for White somewhere.

After 7…Nxd4 White has two alternatives:

a)      8.Qd1?! Bxe6 9.bxe6 fxe6 10.f3 (Or 10.h3 Nxf2 and Black gets good compensation for the piece.) 10…Ne5 11.Qxd4 Nxf3+ 12.Ncf3 Bxd4 13.Nxd4 Qd7 is unclear

b)      8.Qxg4 Nxc2+ is the main line when White has two choices:

b1) 9.Kf1 Nxa1 10.exf7+ Kf8 11.Qh4 d5! 12.Nxd5! (After 12.Bxd5 c6! 13.Bh6 Nc2 14.Be4 Nd4 Black was fine in Isonzo –Roger Fischer, Frankfurt 2002

b2) 9.Kd1!? Nxa1 10.exf7+ Kf8 11.Qh4 d5 12.Bd3 Bf5 13.Bxf5 gxf5 14.Bh6 e6? (14…Qd6 15.Bxf7+ Kxg7 16.Nf3 was preferable, though still uncomfortable.) 15.Qd4 Qg5? 16.Qc5+ Qe7 17.Bxg7+ and White won in Nemitz – Horstmann, Portz 1992

I would not like to be Black in either of these lines.

8.d5

White gains nothing by holding back the d-pawn.  After either 8.f3!? Nf6! Or 8.h3?! Nxd4 9.Qd1 Bxd6 10.Bxe6 Nxf2 11.Kxf2 Nxe6 Black is dong fine.

8…Na5

I realize this is not to everybody’s liking, but I do believe the chances should be balanced. Black will try to undermine the d5-pawn with c7-c6 and has active pieces. White has a lot of space, but it is not easy to make use of it.

9.h3?!

White forces the g4-knight to f6, the idea being that Black can no longer answer Nf3 with Ne5. Still, it was better to play 9.Nf3 c6 (Black possibly intends Bxc3, followed by Nf6, forcing White to explain him/herself in the center.) 10.0-0 when 10…0-0 leads to a position similar to the game.

Another possibility is 9.Bd3?! c6! 10.Nf3 0-0 and now two moves have been tried:

a)  11.h4. In Toma – E. Paehtz, Oropesa del Mar 1999, Black had a good game after 11…h6 12.h5 g5 13.Bd2 cxd5. But I prefer:

b)  11…Bxc3+!  When the White center will be blown to smithereens…

You get the idea.  Another signature Hillarp Persson quote from the 21-page, 7 game chapter: “However, this is what chess should be like: rich and difficult.

Three brief chapters follow.  Chapter Eight covers the Fianchetto Variation, 1.e4 g6 2.d4 Bg7 3.Nc3 d6 4.Nge2 (or 4.g3) Nd7 5.g3.  Conclusion: Black has excellent chances.  Likewise, in Chapter Nine’s “Lazy Variation”, where White plays c2-c3 instead of Nc3, it seems Black has no worries.  Chapter Ten has Unusual Lines featured in games – 1.e4 g6 2.d4 Bg7 3.f4 c5, 1.e4 g6 2.d4 Bg7 3.Be3 c5, 1.e4 g6 2.d4 Bg7 3.Nc3 (3.f3 and 3.h4 in the notes) d6 4.h4 – which only goes to show that even someone playing an unorthodox line may have to face some unorthodoxy; but without fear.

Starting off the final chapter, the author admits:

If someone woke me in the middle of the night and screamed in my ear: “What is the main problem with the Modern?”  I would probably mumble “3.c4, if you don’t play the King’s Indian.  Now leave me alone.”

And this is true, because I would be too tired to lie and I like to be left alone.

So why did God – or someone – create the Modern Defence just to demand that you should also be able to play the King’s Indian: it seemed to me that Creation was flawed.  There was, of course, the Averbakh, but it did not appeal to me so I did not think I would write this chapter.

But the ways of the Modern are obscure, so I ventured on a quest for a line that I could recommend to the reader without feeling like a fraud. In other words, something I could and would play myself in a serious tournament game. After long consideration I ended up with 4…e5 in the Averbakh variation, which I feel gives Black a reasonable game (although the KID is still the more reliable choice).

You can see the author working and sweating all the way through Chapter Eleven, the Averbakh Variation, 1.e4 g6 2.d4 Bg7 3.c4 d6 4.Nc3 e5 (19 pages, 6 games), where the notion of “chessic dumpster diving” came to my mind, but what he turns up – often not in the main lines – fulfills his promise to the readers.  Black does not fear an exchange of pawns on e5 followed by an exchange of Queens at d8; and should White lock the center, there is always the plan (from that other defense) of advancing the pawns on the Kingside.

Tiger’s Modern finishes up with two games indexes and a variation index.  There is a short Bibliography in the front, before the Introduction.

Tiger’s Modern is an outstanding book, equally full of “heart” and “brain”, and one readily recommended to chess players of expert strength or above (although I suspect most in that group who play the Modern already have their copies).  Strong club players who are willing to put in the time learning from Hillarp Persson and then analyzing their own games (preparing for the next), and who are willing to sometimes stand in the eye of the storm – occasionally to be blown away – will find the …a6 Modern to be a very powerful all-around defense.  Admittedly, the defense is not always easy to play.  Then again, not every chessplayer is looking for “easy.”
 

Tiger's Modern
by Tiger Hillarp Persson

 


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