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IMDb > "Matty's Funday Funnies" (1959)

"Matty's Funday Funnies" (1959) More at IMDbPro »TV series 1959-1962


Overview

User Rating:
7.4/10   19 votes
Writers:
Al Bertino (writer) (1962)
Jack Bonestell (writer) (1962)
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Release Date:
11 October 1959 (USA) more
Plot Keywords:
User Comments:
"I'm comin' Beany boy!" more

Cast

 (Series Credited cast)
Jackson Beck ... Additional Voices (voice)
Eddie Brandt ... Additional Voices (voice)
Richard Buckley ... Wildman of Wildsville / Go Man Van Gogh (voice) (as Lord Buckley)
Robert Clampett ... Additional Voices (voice)
Sody Clampett ... Additional Voices (voice)
Scatman Crothers ... Wildman of Wildsville (voice)
Gwen Davies ... Casper (voice)
Paul Frees ... Additional Voices (voice)
Joan Gerber ... Additional Voices (voice)

Jim MacGeorge ... Beany Boy / Captain Huffenpuff (voice)
Norma MacMillan ... Casper (voice)
Jack Mercer ... Additional Voices (voice)
Don Messick ... Additional Voices (voice)
Freddy Morgan ... Additional Voices (voice)
Mae Questel ... Casper / Little Audrey / Additional Voices (voice)

Sid Raymond ... Baby Huey / Katnip / Additional Voices (voice)
Cecil Roy ... Casper / Additional Voices (voice)
Irv Shoemaker ... Cecil / Dishonest John (voice)
Arnold Stang ... Herman / Additional Voices (voice)
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Additional Details

Also Known As:
Beany and Cecil (USA) (new title)
Matty's Funnies with Beany and Cecil (USA) (new title)
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Runtime:
30 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono
MOVIEmeter: ?
^ 7% since last week why?

Fun Stuff

Trivia:
"Beany and Cecil" appeared during an era in which child psychologists were predicting devastating results from the effects of television violence. This popular cocktail-party subject was made light of in at least two episodes. In "Beany Meets the Boo Birds", after whacking Cecil on the head with a hammerhead shark, one Boo Bird turns to the camera and nonchalantly asks, "Do you think there's too much violence on TV?" And, in "Invasion Of Earth by Robots", mechanical alien housewife Venus the Meanest - who's actually visiting Earth for a picnic with her rambunctious toddler, Venice - comments to a friend, "When it comes to violence, Venice doesn't need TV to give him any ideas!" more
Quotes:
[closing credits]
Chorus: # And now until next Sunday / We'll miss you all the most. / With Baby Huey and Little Audrey / And Casper the Friendly Ghost. / It's seven days to Funday / And seven days make a "wink." / You'll be amazed / To start your days. / It's sooner than you think. #
Chorus: Monday. Tuesday. Wednesday. Thursday. Friday. Saturday. Funday!
Chorus: # Matty's Funday Funnies / Will be back in a wink. / You'll be amazed to count the days. / It's sooner than you think! #
Announcer: And so until next Funday, boys and girls, remember to remember: you can tell it's Mattel. It's swell!
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FAQ

This FAQ is empty. Add the first question.
6 out of 6 people found the following comment useful:-
"I'm comin' Beany boy!", 26 September 2005
Author: jonesy74-1 from United States

This cartoon was developed from a local t.v. puppet show that aired in Los Angeles years before by Bob Clampett of Warner Brothers fame. It consisted of the adventures of a ship led by Captain Huffenpuff and his motley crew of Beany (a young boy wearing a - you guessed it - beanie - a plastic hat called a "Beanie-Copter" actually was marketed from this series by a toy company - Mattel?), a crow who resided in the crow's nest of the ship - he was rarely ever featured in the series and Cecil, billed as Cecil the Seasick Sea Serpent. Cecil didn't ride on the ship - he swam along with Beany and the Captain wherever they went. Cecil, or Cece (Sees), as Beany called him, basically had a long neck sticking out of the water and you never saw what was below the waterline, which prompted audiences to muse, "Did he have legs and feet, or was there just more neck?" Huffenpuff was essentially a coward who excused himself regularly to skulk off to his cabin whenever danger threatened. Beany was an overly sunny little blond guy with an annoying chuckle and Cecil (basically, the star of the show) provided the comedy relief with his husky, dopey, gravelly voice.

The antagonist was a crook-nosed baddie in a black cape-and-hat named Dishonest John, who, whenever he showed up in an episode, sat on the sidelines and tossed monkey-wrenches into whatever the crew's objective was. Many a child on a playground during this time would utter Dishonest John's signature dastardly laugh when plotting a foul deed against a playmate - "NYAH ah AAAAH!" D.J., as he was referred to by Cecil, had a voice reminiscent of Hans Conried, the voice of Captain Hook from Disney's animated Peter Pan, however, the voice was supplied by another actor entirely.

The various episodes placed the crew in plots such as discovering the dreaded Boo Birds, ghostly birds with a penchant for mischief directed toward our heroes, encountering the giant gorilla, "Ping Pong" and also, seeking to capture the "Wild Man," a bongo-playing beatnik artist in a leopard skin whose voice was supplied by Scatman Carothers ("Wild, man, wild!" "Don' bug me, man. Dooon' bug me!").

Probably the best episode out of the entire series was one where the crew goes to the moon to start a theme park called "Beanyland." As they travel through space, Tchaikovsky's "Dance of the Sugar Plum Fairy" plays along with the starlight backdrop. This cartoon was created shortly after Disneyland's debut and definite fun was poked at it (especially with the mention of where they would place a "Darned Old Duck Pond"). Captain Huffenpuff would rise into the air, a la Tinkerbell, and wave a wand issuing sparkles that would cause the park to raise magically from the surface of the moon. The resemblance to Disneyland was obvious.

There were puns aplenty in this series. It was very, very juvenile in one sense, yet packed jokes that only adults could get. There was lots of lampooning of famous characters which included, of all people, a Keely Smith-type character in the "Vegas" episode. Another episode included a sawfish named "Jack the Knife" who would break into a rendition of a song that sounded all too much like Bobby Darin's "Mack the Knife," finger-snapping and all.

I loved this series - until it aired too long on Saturday morning. I could practically recite the dialog from memory. Still, the series remains a pleasant memory from my childhood.

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