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80 of 84 people found the following review helpful:
4.0 out of 5 stars
Meet Jun Do, October 7, 2011
This review is from: The Orphan Master's Son: A Novel of North Korea (Hardcover)
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If you were taking one of those free association tests and the tester asked your response to "North Korea," what words and pictures would come to your mind? For most, I suspect it's nameless, faceless workers wearing identical clothing, haircuts and Party badges, living in primitive conditions under the most paranoid, repressive regime imaginable, where the only citizen allowed to be an individual is that short man with the odd jumpsuits and pompadour; i.e., the "Dear Leader," Kim Jong Il. Adam Johnson shows that there's a lot of life and humanity, and even humor, behind those conceptions of rigid uniformity, especially in his protagonist, Pak Jun Do. When Jun Do meets some Americans (through an amazing series of events), they mis-hear his name as John Doe. That's a revealing mistake. In North America, we use "John Doe" to represent a male character whose identity we don't know. Sometimes we use the name to mean an Everyman. Both are appropriate for Jun Do, who was raised in an orphanage as the son of its master. He doesn't know what happened to his mother and his father is unknowable. His name isn't even his; like all residents of the orphanage, he's been assigned the name of one of Korea's political martyrs. Jun Do's life, threading through this book, is one of astonishing hardship, pain and endurance. He is a soldier, an intelligence officer on board a fishing boat, a prisoner in a work camp and a torture facility, member of a diplomatic mission, and a man who manages to find love and freedom in a most unlikely way. Through the story of his life, the story of contemporary life in North Korea is revealed in all its black-is-white totalitarian craziness. Adam Johnson paints such a detailed picture of how the regime operates that we are able to understand how people succumb to its relentless propaganda and repression. Several times, characters profess horror about the fact that Americans must pay for everything and that they lack the protection and safety of having the government tell them what to do in every aspect of their lives. Jun Do says he doesn't think he could ever feel free in the US; that everything in North Korea makes simple, clear sense and it's the most straightforward place on earth. You'll have to read the book to see how his worldview is transformed by watching a forbidden DVD of Casablanca. The book can be confusing, as it jumps from one narrator to another, one time period to another, one style to another, with no explanation. But it's so vividly written, I didn't worry about the shifts and came to enjoy the crazy-quilt style. In an interview of Adam Johnson by author Richard Price, Price describes the book as a collision of many genres: bildungsroman, prison narrative, sea story, romantic drama, escape thriller, comic picaresque, Korean heroic opera. I'd have to add in agitprop to make a complete listing of genres represented. I didn't feel like I needed an explanation of why it's written this way, but it was still interesting to hear Johnson's answer that he sees his book as a "trauma narrative," in which a survivor of traumatic experiences tells stories that are similarly disjointed and that "bend and mix genres as characters attempt to patch their stories back together using the stories they find around them." This is one of the most unusual, riveting, touching and unforgettable books I've read. Recommended.
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31 of 34 people found the following review helpful:
4.0 out of 5 stars
Eye Opening Information - Heart Wrenching Story, September 29, 2011
This review is from: The Orphan Master's Son: A Novel of North Korea (Hardcover)
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The Orphan Master's Son introduced me to a style of writing that was initially uncomfortable: trauma narrative. The author teaches creative writing at Stanford, so he crafts the shifts in perspectives and chronology, and uses vehicles of narration such as propaganda loudspeakers to assist in moving the story along while adding depth to the North Korean experience. Much of my understanding of the purpose of the propaganda and seemingly pointless interchanges between characters didn't occur until the last half of the book, as the author slowly brings all the fractured pieces together, much in the way a real life investigation might progress, with a piece of evidence here, a testimony there, etc. In retrospect, I can say that it was a book well worth reading, both for the gritty understanding of a ravaged country under the control of a mad man, and for an appreciation of the art of trauma narrative. I wouldn't read this as a bedtime story to children. I was horrified by the torture, casual violence, miserable living conditions, and the way the demented mind of a leader can pervade and twist all of reality for an entire nation. It's also a lot of pages. As I waded in and got lost, horrified, and a bit traumatized, myself, I almost put it down and walked away. I'm glad I persisted, because the end result was every bit as satisfying as the movie "Casablanca," referred to in this story for analogy purposes. Moreover, I now think back over that movie and shift my perspective to a trauma narration, which adds even greater understanding to the motivations of its characters. This new perspective shift is a gift from the author, seen by some as a "towering literary achievement." And perhaps it is. To find out, hike up your emotional britches and wade in.
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24 of 27 people found the following review helpful:
5.0 out of 5 stars
The Cruelty of Fate and the Nobility of True Love, October 25, 2011
This review is from: The Orphan Master's Son: A Novel of North Korea (Hardcover)
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The Orphan Master's Son by Adam Johnson is set in modern day North Korea. North Korea epitomizes Orwellian horror. This is a country where you can be condemned for no more reason than that the poster of Kim Jong Il on your wall has a torn corner, where children spy on their parents and starvation is a way of life. In Korea, the story about a person is what is important, not the person. If the story changes, then the person had better change himself to fit. Every day there are public service announcements telling the stories of the heroes and enemies of the state. The protagonist, Jun Do, is named for one of the "heroes of the revolution", a man who committed suicide to prove himself worthy of the revolution. Jun Do's father, the orphan master, never openly acknowledges his son as such and "proves" his love by being more cruel to him than to the orphans in his care. An orphan's lot in North Korea is grim beyond Dickins' tales of early industrial England. Their lives are brutal, short and exploited. Our protagonist becomes a tunnel soldier, trained in zero light taekwando. He is then conscripted into becoming a kidnapper working in Japan to provide selected individuals to serve Pyongyang's desires. He is successful as a kidnapper and is rewarded by being trained to become an English translator, doing radio surveillance on board a fishing vessel where the sailors all have their wives' pictures tattooed on their chests. He is selected to accompany a State visit to the USA. The visit is something of a humiliation for North Korea and Jun Do is sent off to prison where he kills and takes the place of one of the heroes of modern North Korea, Commander Ga, and falls in love with Ga's wife, Son Moon, a famous movie star. This gripping tale is told by alternating propaganda from Kim Jong Il and the Pyongyang regime with the often grim reality of the protagonist, the orphan master's son. The propaganda takes the form of stories about the characters themselves, both as heroes and enemies of the State. There is wild adventure, amazing courage, brutal torture and true love. Adam Johnson has written a masterful tale, a love story, a page-turner with philosophical overtones, and adventure thriller. I recommend this book highly, but it is most definitely not for the faint of heart and most assuredly not for children. Read this and weep for cruel fate and rejoice in the power and nobility of true love.
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