This nOde
last updated October 29th, 2006 and
is permanently morphing...
(8 Men (Eagle) / 8 Zak (White) - 255/260 -
12.19.13.13.15)
rush
rush (rùsh) verb
rushed, rushing, rushes verb, intransitive
1.To move or act swiftly; hurry.
2.To make a sudden or swift attack or charge.
3.To flow
or surge rapidly, often with noise: Tons of water
rushed over the falls.
4.Football. To move the ball by running.
verb, transitive
1.To cause to move or act with unusual haste or
violence.
2.To perform with great haste: rushed completion
of the project.
3.To attack swiftly and suddenly: Infantry rushed
the enemy after the artillery barrage.
4.To transport or carry hastily: An ambulance
rushed her to the hospital.
5.To entertain
or pay great attention to: They
rushed him for their fraternity.
6.Football. To charge (a quarterback or passer) in
order to block or prevent a play.
noun
1.A sudden forward motion.
2.a. Surging emotion: a rush of shame. b. An
anxious
and eager movement to get to or from a place: a rush to the goldfields.
c. A sudden, very insistent, generalized demand: a rush for gold coins.
3.General haste or busyness: The office always
operates in a rush.
4.A sudden attack; an onslaught.
5.A rapid, often noisy flow or passage.
6.Football. a. An attempt to move the ball by
running. b. An act of charging the offensive quarterback or passer in
order
to block or prevent a play.
7.Often rushes (rùsh) . The first, unedited
print of a movie scene.
8.a. A time
of attention, usually one in which extensive social activity occurs. b.
A drive by a Greek society on a college campus to recruit new members:
a sorority rush.
9.a. The intensely
pleasurable sensation experienced immediately
after use of a stimulant or a mind-altering drug. b. A sudden, brief
exhilaration:
A familiar rush overtook him each time the store announced a half-price
special on expensive stereo equipment.
[Middle English rushen, from Anglo-Norman
russher,
variant of Old French ruser, to drive back, from Latin
recúsâre,
to reject : re-, re- + causârì, to give as a reason (from
causa, cause).]
- rush´er noun
rush
rush (rùsh) noun
1.a. Any of various stiff marsh plants of the
genus Juncus, having pliant hollow or pithy stems and small flowers
with
scalelike perianths. b. Any of various similar, usually aquatic plants.
2.The stem of one of these plants, used in making
baskets, mats, and chair seats.
[Middle English, from Old English rysc.]
Rush
Rush, common name for a small family of flowering plants with inconspicuous flowers, and for its representative genus. None of the approximately 325 members of the family produce edible parts, but some are an important source of fibers. Rushes are worldwide in distribution but are most abundant in moist, cool habitats. Rushes are mostly herbaceous, but one, the palmiet, native to South Africa, is a woody shrub. The flowers are adapted to wind pollination and thus have their petals and sepals reduced to inconspicuous scalelike structures.
The rush genus is the largest in the family, with
about 225 species, and its stems produce many useful fibers. One
soft-fibered species, the Japanese
mat rush is used in weaving Japanese floor mats called tatami, and it
is widely cultivated in Japan for this purpose. This and similar
species are also the source of split rushes for chair caning and basket
weaving. Other plants commonly called rushes- the bulrush, flowering
rush, and scouring rush- are not actually members of the rush family.
Scientific classification: Rushes make up the
family Juncaceae. The representative genus is Juncus. The palmiet is
classified as Prionium serratum and the Japanese mat rush as Juncus
effusus. Bulrushes are classified in the genus Scirpus, of the family
Cyperaceae; flowering rushes in the genus Butomus, of the family
Butomaceae; and scouring rushes in the genus Equisetum, of the family
Equisetaceae.
prog rock band Rush 1974-present
On every Rush album, you can see somewhere on the cover: "Brought to you by the letter R". R can be another letter depending of the album. You can see it on the cover, or at the end of the lyrics, or somewhere else.
waveforms:
releases:
Off on your way, hit the open road,
There is magic at your fingers
For the Spirit ever lingers,
Undemanding contact
in your happy solitude.
Invisible airwaves
crackle with life
Bright antenna
bristle with the energy
Emotional feedback
on timeless
wavelength
Bearing a gift beyond price, almost free
All this machinery making modern music
Can still be open-hearted.
Not so coldly charted, it's really just a
question
Of your honesty, yeah, your honesty.
One likes to believe in the freedom of
music,
But glittering prizes and endless
compromises
Shatter the illusion of integrity.
For the words of the profits were
written on
the studio wall,
Concert hall
And echoes with the sounds of salesmen.
|
||
|
Truth is false and logic lost
Now the fourth dimension is crossed
You have entered the Twilight Zone
Beyond this world strange things are known
Use the key, unlock the door
See what your fate might have in store
Come explore your dreams' creation
Enter this world of imagination
Features distorted in the
flickering light,
Faces are twisted
and grotesque.
Silent and stern in the sweltering night,
The mob moves like demons possesed.
Quiet in conscience, calm in their right,
Confident their ways are best.
The righteous rise
With burning eyes
Of hatred and ill-will.
Madmen fed on fear and lies
To beat and burn and kill.
They say there are strangers who
threaten us,
Our immigrants and infidels.
They say there is strangeness to danger us
In our theatres and bookstore shelves,
That those who know what's best for us
Must rise and save us from ourselves.
Quick to judge,
Quick to anger,
Slow to understand
Ignorance and prejudice
And fear walk hand in hand.
Atmospheric disturbance ---
The feverish flux,
Of human interface
And interchange
The impulse is pure ---
Sometimes our circuits get shorted,
By external interference.
Signals get crossed ---
And the balance distorted
By internal incoherence
A tired mind become a shape-shifter
Everybody need a mood lifter
Everybody need reverse polarity
Everybody got mixed feelings
About the function and the form
Everybody got to deviate
From the norm
An ounce ofperception ---
A pound of obscure,
Process information
At half speed
Pause:
Rewind --- replay ---
Warm memory
chip
Random sample ---
Hold the one you need
Leave out the fiction ---
The fact is;
This friction,
Will only be worn by persistence
Leave out conditions ---
Courageous convictions,
Will drag the dream
into existence
A tired mind become a shape-shifter
Everybody need a soft filter
Everybody need reverse polarity
Everybody got mixed feelings
About the function and the form
Everybody got to elevate
From the norm
Rush is an award-winning Canadian rock band comprised of bassist/keyboardist/vocalist Geddy Lee, guitarist Alex Lifeson, and drummer Neil Peart (pronounced: 'Peert') that has been consistently touring and recording since 1973. John Rutsey played drums for Rush on the first album, but resigned for health concerns shortly thereafter. Since Peart joined in 1974, they have remained intact. Interestingly, while Lee does all the singing, almost all lyrics of the band's work have been written by Peart.
All three individuals are Members of the Order of Canada.
History
Rush's musical style has changed greatly over the lifetime of the group. Albums prior to 1980's Permanent Waves are a mix of heavy metal and progressive rock similar to Yes or Genesis, and visually sometimes demonstrating their birth within the short-lived era of glitter rock bands, such as Iggy Pop or Ziggy Stardust, wearing flashy costumes and stage shows. The lyrics of that time were heavily influenced by science fiction and, unfortunately, the writings and philosophy of Ayn Rand, as exhibited most prominently by 1976's 2112 and 1977's Hemispheres.
Permanent Waves changed things dramatically. Although the music was still based on heavy-metal style, more and more keyboards were introduced. The themes of the songs changed dramatically, and became far more in common with alternative rock than prog-rock. One song in particular, Spirit of Radio (named for the Toronto-local groundbreaking radio station, CFNY), went on to become a huge hit on the alternative circuit. Another favourite on American "Classic Rock" stations to this day is Tom Sawyer from 1981's Moving Pictures. From that point on their albums of the 1980s tended to follow this lead, although recordings in the later 80s and 90s have sometimes been derided as boring, or mainstream.
Each of the three individual artists has produced and released work independent of the band's structure, to varying degrees of commercial and critical success.
After 1996's Test For Echo, the band entered a six-year hiatus due mainly to tragedies in Peart's life. Peart's daughter Selena died in a car accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart embarked on a self-described "healing journey" by motorcycle in which he travelled thousands of miles across North America. He subsequently wrote about his travels in his book Ghost Rider: Travels on the Healing Road.
The band returned in 2002 with a surprisingly heavy Vapor Trails album, their first without keyboards in over twenty years. The album contains the song Ghost Rider, describing Peart's motorcycle journey. It debuted to moderate praise and was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil.
Rush in Rio, was released in late October 2003. A companion DVD is available.
Discography
Studio albums:
* Rush (March 1974)
* Fly by Night (February 1975)
* Caress of Steel (September 1975)
* 2112 (February 1976)
* A Farewell to Kings (September 1977)
* Hemispheres (October 1978)
* Permanent Waves (January 1980)
* Moving Pictures (January 1981)
* Signals (September 1982)
* Grace Under Pressure (April 1984)
* Power Windows (October 1985)
* Hold Your Fire (September 1987)
* Presto (November 1989)
* Roll The Bones (September 1991)
* Counterparts (October 1993)
* Test For Echo (September 1996)
* Vapor Trails (May 2002)
Official live albums:
* All The World's a Stage (September 1976)
* Exit...Stage Left (October 1981)
* A Show Of Hands (December 1988)
* Different Stages (November 1998)
* Rush in Rio (October 2003)
Compilations/interviews:
* Archives (April 1978) – Repackage of
the first three albums (Rush, Fly by Night and Caress of Steel)
* Chronicles (September 1990) – Essentially a "Greatest Hits"
release
* The Story of Kings - Interview (1992) – Interview with Alex
Lifeson
* The Interviews - Vol 2 (October 1995) – Interview with Geddy Lee
* Retrospective I 1974-1980 (1997) – Repackaging of best songs
from their first decade.
* Retrospective II 1981-1987 (1997) – Repackaging of best songs
from their second decade.
* The Spirit of Radio: Greatest Hits 1974-1987 (February 2003
(Repackaging of Mercury/Polygram-held songs up to Hold Your Fire
(1987), not endorsed by band)
Solo efforts of band members:
* Burning for Buddy, Volume 1 – (Solo),
Peart, et al (1994)
* Burning for Buddy, Volume 2 – (Solo), Peart, et al (1994/-5?)
* Victor – (Solo), Lifeson, et al (1996)
* My Favorite Headache – (Solo), Lee, et al (November 2000)
Books
* Drum Techniques of Rush – Peart (1985)
– ISBN 0769250556
* More Drum Techniques of Rush – Peart, Wheeler (1989) –
ISBN 0769250513
* Mystic Rhythms: The Philosophical Vision of Rush – Price, et
al. (1999) – ISBN 1587151022
* The Masked Rider: Cycling in West Africa – Peart (1999) –
ISBN 1895900026
* Ghost Rider: Travels on the Healing Road – Peart (2002) –
ISBN 1550225464 (hardcover), ISBN 1550225480 (paperback)
* Rush: Merely Players – Telleria (2002) – ISBN 1550822713