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2001:  Thus Spoke Zarathustra

2001: A Space Odyssey
This nOde last updated December 17th, 2004 and is permanently morphing...
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E:MIT 5595 (1995)


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HAL plays chessgames with Dave
Friedrich Nietzsche
Star Wars - The Phantom Menace - junkyard pod open the pod bay doors, HAL...



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film _2001: A Space Odyssey_ DVDatomjacked inventory cache directed by internal linkStanley Kubrick 
Stanely Kubrick


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based on the short story by internal linkArthur C. Clarke - _The Sentinel_ 

Arthur C. Clarke 1990


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"And now, out among the stars, internal linkevolution was driving toward new goals.  [They had] long since come to the limits of flesh and blood; as soon as their machines were better than their bodies, it was internal linktime to move.  First their brains, and then their thoughts alone, they transferred into internal linkshining new homes of metal and plastic.

     "In these they roamed the stars.  They no longer built spaceships. They were spaceships.

"But the age of the Machine-entities swiftly passed.  In their ceaseless experimenting, they had learned to store knowledge in the structure of space itself, and to preserve their thoughts for eternity in frozen lattices of internal linklight. They could become creatures of radiation, free at last from the tyranny of matter.

"Into pure energy, therefore, they presently transformed themselves, beyond the reach of time...They could rove at will among the stars, and sink like a subtle mist through the very interstices of space."



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"I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the  subconscious with an emotional and philosophical content...I internal linkintended the film to be an internal linkintensely internal linksubjective experience that reaches the viewer at an inner level of consciousness, just as music does...You're free to speculate as you wish about the philosophical and allegorical meaning of the film." - Stanley Kubrick



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"Roger Waters (bassist for internal linkPink Floyd), yet to balk at the internal linksci-fi association, went so far as to say his 'greatest regret' was that they  didn't do the score for 2001: A Space Odyssey -- parts of which, particularly in the long,   mind-blowing hallucinatory sequence near the end, nonetheless sound remarkably Floydian..."

-- (_Saucerful Of Secrets_, by Nicholas Schaffner, pg. 142)

Roger Waters


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Sacred Sites Jupiter And Beyond The Infinite title shot Juno Reactor - Beyond The Infinite


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2001: A Space Odyssey (1968)

Directed by
internal linkStanley Kubrick
 

Writing credits
internal linkArthur C. Clarke

(story ...)
Stanley Kubrick

Tagline: The Ultimate Trip.

Plot Outline: Mankind finds a mysterious, obviously artificial, artifact buried on the internal linkmoon and, with the intelligent computer HAL, sets off on a quest.

Full Cast and Crew for
2001: A Space Odyssey (1968)

Directed by
Stanley Kubrick
 

Writing credits
Arthur C. Clarke

(story The Sentinel)

Stanley Kubrick
Arthur C. Clarke
 

Cast verified as complete

Keir Dullea ....David Bowman
Gary Lockwood ....Frank Poole
William Sylvester ....Heywood Floyd
Daniel Richter  ....Moonwatcher
Leonard Rossiter ....Smyslov
Margaret Tyzack ....Elena
Robert Beatty  ....Halvorsen
Sean Sullivan  ....Michaels
Douglas Rain ....HAL 9000 (voice)
Frank Miller  ....Mission Controller
Bill Weston
Ed Bishop ....Lunar shuttle captain
Glenn Beck
Alan Gifford ....Poole's Father
Ann Gillis (I)
Edwina Carroll ....Stewardess
Penny Brahms ....Stewardess
internal linkHeather Downham
Mike Lovell
John Ashley
Jimmy Bell
David Charkham
Simon Davis
Jonathan Daw
Péter Delmár
Terry Duggan
David Fleetwood
Danny Grover
Brian Hawley
David Hines
Tony Jackson
John Jordan
Scott MacKee
Laurence Marchant
Darryl Paes
Joe Refalo
Andy Wallace
Bob Wilyman
Richard Wood
rest of cast listed alphabetically
Vivian Kubrick ....Squirt (uncredited)

Produced by
Stanley Kubrick
 

Music by
Aram Khachaturyan

(from "Ballet Suite Gayane")
György Ligeti

(from "Atmospheres")
Richard Strauss

(from "Also sprach Zarathustra")
Johann Strauß

(from "Blue Danube Waltz")

Cinematography by
John Alcott

(additional photography)
Geoffrey Unsworth
 

Costume Design by
Hardy Amies
 

Production Design by
Ernest Archer

Harry Lange

Anthony Masters
 

Film Editing by
Ray Lovejoy
 

Other crew
H.L. Bird ....sound mixer
Colin Cantwell ....special photographic effects unit
Derek Cracknell ....first assistant director
David De Wilde ....editorial assistant
Stuart Freeborn ....make-up artist
John Hoesli ....art director
Tom Howard (IV) ....special photographic effects supervisor
Stanley Kubrick ....special photographic effects designer and director
Bryan Loftus ....special photographic effects unit
Bruce Logan ....special photographic effects unit
John Jack Malick ....special photographic effects unit
Frederick Martin ....special photographic effects unit
Frederick I. Ordway III ....technical advisor
David Osborne ....special photographic effects unit
Con Pederson ....special photographic effects supervisor
special visual effects supervisor
Kelvin Pike ....camera operator
Winston Ryder ....sound editor
J.B. Smith ....chief internal linkdubbing mixer
internal linkDouglas Trumbull.... special photographic effects supervisor
Wally Veevers ....special photographic effects supervisor
A.W. Watkins ....sound supervisor

Also Known As:
Journey Beyond the Stars (1967) (USA: working title)
Runtime: Germany:133 / Sweden:149 / 139 (final cut) / 156 (premiere cut)
Country: UK / USA
internal linkLanguage: English
Color: Color
Sound Mix: 70mm 6-Track (70mm prints)
Certification: UK:U / USA:G / Germany:12 / Norway:11 / Portugal:M/12 / Sweden:11



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2001 - gravity all relative



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internal linkDjinn chairs designed by Olivier Mourgue, 1964-65. Can be seen in the space station interior in the  film _2001: A Space internal linkOdyssey_ . Made of a steel frame covered with nylon stretch jersey fabric over rubber and foam. Manufactured by Airborne in France.
 
 

Djinn chairs...


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Terence McKenna - the force will be with you...always

 

Q: this is the question about the "great internal linkattractor" that you mentioned... did you ever see that movie 2001?

TM: ah, a couple of times [laughter from the audience]

Q: could the great attractor be symbolized in that movie by the internal linkmonolith?

TM: yeah, absolutely... that's the myth of what i'm saying... if instead of having those monkeys jumping around in front of a slab of linoleum, they had had them cavorting in the presence of the mushroom, then you would pretty much have my theory in a nutshell... [laughter/applause]


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internal linkStanley Kubrick uses internal linkalchemical allegories through out the film _2001: A Space internal linkOdyssey_ DVDatomjacked inventory cache (1968). The obvious analogies are the celestial alignments that proceed each of the alchemical transmutations in the film. The second main allegory is that it is a black stone that initiates these transmutations. Again this mirrors the alchemical lore about the black stone causing the transmutation of the alchemist.

Finally we get to Kubrick's ultimate trick. He proves that he knows exactly what he is doing with this trick. His secret is in plain sight. First one must remember that everytime the internal linkmonolith, the internal linkmagical stone, appears in the film there is a strange beautiful celestial alignment occurring. And one must remember that every celestial alignment in the film is followed by a monolith, that is, except for one. That would be the lunar eclipse that occurs at the very beginning of the film. So the question arises - if we are to stay within the rules that are prescribed in the rest of the film - where is the monolith that is supposed to follow that first  alignment? The monolith itself doesn't show up in the film for ten more minutes after that first celestial alignment, so what gives here? Is Kubrick just showing off his incredible special effects? Is it just there to internal linkimpress the viewer from the beginning? These things may very well also be internal linktrue, but the ultimate trick of Kubrick's is embedded in the idea that the monolith must appear after every one of these magical alignments. Once again, the secret of the film is completely revealed from the beginning. There is a monolith that appears right after the opening sequence with the magical, lunar eclipse. But where is it? It is right in front of the viewer's eyes! The film is the monolith. In a secret that seems to never have been seen by anyone - the monolith in the film has the same exact dimensions as the Cinerama movie screen on which 2001 was projected in 1968. This can only be seen if one sees the film in it's wide-screen format. Completely hidden, from critic and fan alike, is the fact that Kubrick consciously designed his film to be the monolith, the stone that transforms. Like the monolith, the film projects images into our heads that make us consider wider possibilities and ideas. Like the monolith, the film ultimately presents an initiation, not just of the actor on the screen, but also of the audience viewing the film. That is Kubrick's ultimate trick. He slyly shows here that he knows what he is doing at every step in the internal linkprocess. The monolith and the movie are the same thing.

- _Alchemical Kubrick  -   2001: The Great Work On Film_  by Jay Weidner



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what's going to happen?
Sandman - Witchcraft Fuxa - Very Well Organized on Mind Expansion (1996)
2001 - from bone to satellite... Luke Vibert - Big Soup

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pOrtal:
external link2001: A Space Odyssey - Internet Resource Archive

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